Multiplexes and megaplexes supposedly have two major advantages over traditional single-screen movie theaters: they can share common infrastructure and staff across multiple auditoriums, and variations in auditorium size enable them to better match capacity to demand. However, movie theater operators eventually discovered the problem with stadium-size movie theaters is that they share the same flawed business model as stadiums: high fixed operating costs, combined with the fact that very few films in any given year can actually fill all those seats (average occupancy is around 10-15%). Nearly all major U.S. movie theater companies ultimately went bankrupt as a result of this hasty development process. Among the few that were able to avoid bankruptcy were AMC Theatres and Cinemark Theatres. In 1915, exhibitor Charles Porter opened the Duplex Theatre in Detroit, Michigan, the first known instance of a dual-auditorium movie theater. It had twin 750-seat auditoriums in a single building, sharing a common box office and entrance. The Duplex Theatre’s history is poorly documented and it is unknown why Porter built his theater that way, though it was apparently a bit too advanced for its time. It closed in 1922. The difference between a multiplex and a megaplex is related to the number of screens, but the dividing line is not well-defined. Some say that 16 screens and stadium seating make a megaplex, while others say that at least 24 screens are required. Megaplex theaters may have stadium seating or normal seating, and may have other amenities often not found at smaller movie theaters; multiplex theatres often feature regular seating.In 1963 AMC Theatres opened the two-screen Parkway Twin at the Ward Parkway Shopping Center in Kansas City, a concept which company president Stanley Durwood later claimed to have come up with in 1962, realizing he could double the revenue of a single theater “by adding a second screen and still operate with the same size staff”. Also, the shopping center structure where the Parkway was located could not support a large theater, so two small theaters were built to avoid that issue, and at first both theaters played the same film.
Are IMAX movies worth it?
Movie goers swear by the audio-visual quality that IMAX provides. The movie watching experience is enhanced. As a result the ticket prices for IMAX shows are much higher than the regular movies. Even though IMAX theatres were introduced in 1971, they gained popularity much later in the 2000s.
In the United States, only 10% of the 16,712 indoor movie theaters in 1981 had more than one screen, with 80% of the 10% only having two screens. The largest had 7 screens.In November 1988, Kinepolis Brussels, was opened by Kinepolis, the European chain, with 25 screens and 7,600 seats, and is often credited as being the first “megaplex”.
By 1994, building of multiplexes with 14-24 screens with 2,500 to 3,500 seats was the norm. The expansion of multiplexes also concentrated the market with the top ten exhibitors controlling 47% of the nation’s screens compared to 27% in 1986. The AMC Grand 24 opened in Dallas, Texas, on May 19, 1995, as the first 24-screen megaplex built from the ground up in the United States and the largest theater complex in the U.S. A 21-screen Edwards Theater opened at the Irvine Spectrum Center in Irvine, California, the same year. After a lease renewal dispute with the property owner, the AMC Grand 24 closed in November 2010. The building has been divided and reopened in 2012 as a Toby Keith–owned nightclub and a 14-screen first-run movie theater operated by Southern Theatres as the “AmStar 14”. This theatre is now the Studio Movie Grill Northwest Highway as of 2013.The Kinepolis-Madrid Ciudad de la Imagen megaplex has been the largest movie theater in the world since 1998, with 25 screens and a seating capacity of 9,200 including a 996-seat auditorium. Kinepolis-Valencia, built in 2001, boasts 24 screens and 8,000 seats.
What is movie theater called in USA?
A movie theater (American English), cinema (British English), or cinema hall (Indian English), also known as a movie house, picture house, the movies, the pictures, picture theater, the silver screen, the big screen, or simply theater is a business that contains auditoria for viewing films (also called movies) for …
In December 1988, Studio 28 in Grand Rapids, Michigan, expanded from 12 to 20 screens with a seating capacity of 6,000. Studio 28 closed in November 2008. The Kinepolis-Madrid Ciudad de la Imagen megaplex in Spain is the largest movie theater in the world, with 25 screens and a seating capacity of 9,200, including one 996-seat auditorium. The question of who was the inventor of the multiplex is “one of the longest-running debates in movie theater history.” In a 2004 book, Ross Melnick and Andreas Fuchs identified five leading candidates: James Edwards, Sumner Redstone, Stanley Durwood, Charles Porter, and Nat Taylor.On 17 September 1998, the world’s largest cinema multiplex, Kinepolis Madrid, opened in Spain, with 25 screens and 9,200 seats, each seating between 211 and 996 people.CGV Cinemas San Francisco 14, is a 14-auditorium movie theater multiplex in a former eight-story Cadillac dealership building on Van Ness Avenue at O’Farrell Street. It opened on 10 July 1998, as the AMC 1000 Van Ness with 3,146 seats listed.
On December 13, 1996, AMC Ontario Mills 30, a 30-screen theater, opened in Ontario, California, and became the theater with the most screens in the world. This was eventually tied by other AMC 30-screen theaters.
Europes’s tallest cinema multiplex is the Cineworld Glasgow Renfrew Street in Glasgow, Scotland, United Kingdom at 203 feet. Opened in 2001, it has 18 screens and seats 4,300 people.
The largest megaplex in the Southern Hemisphere is the 26-screen Marion MEGAPLEX in Adelaide, South Australia. The megaplex was originally a 30-screen megaplex branded as Greater Union but was modified to accommodate Gold Class and V-Max screens and was re-branded as Event Cinemas. The auditoriums sit on top of Westfield Marion, which is the largest shopping complex in Adelaide.
Multiplexes (multicines) are very popular in Spain and they can be found in or close to most cities, displacing the traditional single-screen theaters. Many middle-sized and large cities have several of them, and they are also common in malls. The average number of screens per theater was 5.2 in 2016.Also in late 1947, but in Havana, Cuba, the Duplex movie theater was built to share the vestibule and ancillary facilities with the previously existing Rex Cinema (open since 1938); they were both designed by the same architect, Luis Bonich. The programming was coordinated, so that one of them showed documentary and news reels. while the other was showing feature films. They were in use at least until the 1990s.
In the Netherlands there weren’t many multiplexes until the millennial change. In April 2000 Pathé ArenA opened its doors in the ArenAPoort area in Amsterdam. It is the largest multiplex in the Netherlands and features 14 screens and 3250 seats in total. Nowadays a lot of other multiplexes are being set up, but so far none of them have surpassed Pathé ArenA’s capacity.
During the 1980s and 1990s, AMC Theatres was at the forefront of a massive boom in multiplex and megaplex construction across the United States. From 1988 to 2000, the number of screens in the United States exploded from roughly 23,000 to 37,000. By the end of 1997, the United States was home to 149 megaplexes with over 2,800 screens. The newer venues, especially the megaplexes, often wiped out smaller theaters and led to market consolidation. Aging single-screen movie palaces in congested downtown areas simply could not compete against the new suburban megaplexes with their profusion of convenient choices (in terms of films and showtimes), gigantic screens, stadium seating (a Durwood idea), armrest cup holders (another Durwood idea), video arcades, spacious parking lots, and state-of-the-art projection and surround sound technology. In some areas, “megaplexes became not just another option for moviegoers, but soon the only one, having driven all other theaters out of business”. From 1995 to 2004, the total number of theaters in the United States fell from 7,151 to 5,629.Cineplex joined with Universal Studios to build an 18-screen multiplex in Universal City, California (now part of Universal CityWalk Hollywood), which opened July 4, 1987.
Where is the best movie seats?
While the back may be the safest option comfort-wise, experts say that the middle row has the best seating. According to Groupon, an ideal row in the movie theater is “the center row and the four rows behind it, which is about one-half to two-thirds back.”
As noted above, the world’s first multiplex, the Regal Twins, opened in Manchester in 1930. The first triplex in the UK was the ABC Cinema in Lothian Road, Edinburgh which opened 29 November 1969. The Regal Twins were converted in 1972 to a five screen complex (Studios 1 to 5) by Star Group, as the first five-cinema complex in Britain.
In December 1947 Nat Taylor, the operator of the Elgin Theatre in Ottawa, Canada, opened a smaller second theater (“Little Elgin”) next door to his first theater. It was not until 1957, however, that Taylor decided to run different movies in each theater, when he became annoyed at having to replace films that were still making money with new releases. Taylor opened dual-screen theaters in 1962 in Place Ville Marie in Montreal, Quebec, and at Yorkdale Plaza in Toronto, Ontario, in 1964.
In 1965 Martin’s Westgate Cinemas became one of the first indoor two-screen theaters in Atlanta, Georgia. Located in East Point, Georgia, it was later converted into a three-screen venue after a fire partially destroyed one of the theaters. The Disney family film Those Calloways had its world premiere at the Westgate, the only film to have been so honored at that theater.Greece’ s largest multiplex is Village Rentis, that features 18 mainstream screens, two comfort (special type of a mainstream screen, better seating and less auditorium), three RealD 3D screens and one summer screen. In total it features 21 screens.In India, the mushrooming of multiplexes started since the mid-1990s. Cinema chains such as Kantishiva Multiplex, INOX, PVR, Carnival Cinemas, SPI Cinemas,Asian Cinemas, Cinepolis and Big Cinemas operate multiplexes across the country. The largest multiplex in India is the 16-screen multiplex Mayajaal in Chennai.
The first multiplex in Japan was built by Warner Bros. in 1993 but the multiplexes were outside Japan’s nine largest cities until Shochiku built Cinema World to the west of Tokyo in 1995. By 2000, multiplexes accounted for 44% of the market with the number of screens in Japan increasing rapidly from less than 2,000 in 1998 to nearly 3,000 in 2001. The expansion in screens and multiplexes also reduced the reliance on the grosses from the nine key cities, with over half of a film’s Japanese gross now coming from outside those markets.
In 1982, the 14-screen Cineplex in the Beverly Center Mall in West Hollywood, California, became the country’s largest upon opening. The Beverly Center Cinemas closed in June 2010. The boom in new screens in the U.S. in the late 1990s and early 2000s led to multiple changes to Hollywood’s distribution model. During the 1990s, American film studios experimented with distributing quirky indie films and art films to megaplexes which would have had a much harder time finding a broad theatrical audience in earlier eras, such as the 1999 hit Being John Malkovich. However, after the turn of the 21st century, as multiplex and megaplex owners came to realize they could screen large-budget blockbuster films all day by staggering showtimes across multiple screens, movie studios jumped onto the blockbuster bandwagon and shifted their film slates towards blockbuster films based on existing media franchises. In 1937 James Edwards twinned his Alhambra Theater in the Los Angeles area by converting an adjacent storefront into a second “annex” screen. While both screens would show the same feature movie, one would also offer a double bill. It did not convert to showing different movies on both screens until some time after Nat Taylor (see below). On February 25, 1940, the Patricia Theater in Aiken, South Carolina made news by becoming what is believed to be the first two-screen theater in the United States showing different movies when operator H. Bert Ram added a screen to an adjoining building and shared a common box office. The main screen remained the Patricia Theatre and the Patricia Annex became known as the Little Patricia. Opening in April 1979, the 18-screen Cineplex, co-founded by Nat Taylor in Toronto’s Eaton Centre, became the world’s largest multitheatre complex under one roof. It was expanded to 21 screens by at least 1981. AMC Theatres has since built many megaplexes with up to 30 screens, starting with the AMC Ontario Mills 30, which was billed by AMC as the largest theater in the world when it opened on December 13, 1996. Three months after the AMC opened in Ontario, California, Edwards built their biggest theater across the street, the 22-screen Ontario Palace 22. If the two adjacent parking lots were counted as one, this meant Ontario had 52 screens on one parking lot, more than anywhere else in the United States. The construction of these two adjacent megaplexes in the Inland Empire was the culmination of a “bitter lifelong rivalry” between Durwood (who died in 1999) and Edwards (who died in 1997). Edwards was furious when he learned that Durwood had beat him to a deal with Ontario Mills, and later told Durwood, “I had to teach you a lesson”.A multiplex is a movie theater complex with multiple screens within a single complex. They are usually housed in a specially designed building. Sometimes, an existing venue undergoes a renovation where the existing auditoriums are split into smaller ones, or more auditoriums are added in an extension or expansion of the building. The largest of these complexes can sit thousands of people and are sometimes referred to as a megaplex.
Why is IMAX so expensive?
Movie goers swear by the audio-visual quality that IMAX provides. The movie watching experience is enhanced. As a result the ticket prices for IMAX shows are much higher than the regular movies. Even though IMAX theatres were introduced in 1971, they gained popularity much later in the 2000s.
In 1965, the first triplex was opened in Burnaby, Canada by Taylor Twentieth Century Theaters. AMC followed up on the Parkway Twin with a four-screen theater in Kansas City, the Metro Plaza, in 1966 and a six-screen theater in 1969. Durwood’s insight was that one box office and one concession stand could easily serve two (or more) attached auditoriums. Another AMC innovation was to offset the starting times of films, so that staff members who previously had downtime while films were playing at a single-auditorium theater would now be kept continuously busy servicing other auditoriums. Over the next two decades, AMC Theatres under Durwood’s leadership continued to innovate as it built one multiplex after another with more screens and more spacious auditoriums across the United States. According to Melnick and Fuchs, although Durwood was technically not the first person to build a multi-auditorium movie theater, he was “the man perhaps most responsible for driving the industry into ‘splitsville'”.
France’s largest movie theaters are: 27-screen UGC Ciné Cité Les Halles (3,913 seats) in Paris, 23-screen Kinépolis – Château du Cinéma in Lomme (7,286 seats), 22-screen UGC Ciné Cité Strasbourg (5,275 seats) and 20-screen MK2 Bibliothèque in Paris (3,500 seats).
In 1985, AMC Cinemas opened a ten-screen cinema at The Point in Milton Keynes. This was AMC’s first multiplex outside of the United States and saw a turnaround in the decline of the UK cinema industry. Cannon followed it with an eight-screen cinema in Salford Quays in 1986. The success of the cinema at Milton Keynes led to further expansion by AMC in the UK to the MetroCentre in Gateshead and then to Dudley, Telford, Warrington and by royal appointment to London, before it eventually sold its UK division to a joint venture which it had formed with United Artists and Cinema International Corporation, which later became UCI Cinemas in 1989. By the end of 1992, the 5 major exhibitors (UCI, MGM, Warner, National Amusements and Odeon Cinemas) had built 525 multiplex screens in the last eight years in the UK, with cinema admissions increasing from an all-time low of 54 million in 1984 to over 100 million. The increase in multiplexes led to 77% of the UK’s screens being owned by the 5 major exhibitors. The increase in multiplexes around the country also reduced the importance of London from a revenue standpoint. Non-multiplex cinemas are now rare in the UK. In July 2000, Star City, Birmingham opened with a 30-screen Warner Village Cinemas (now a 25-screen Vue Cinemas with 5,079 seats), at the time the largest cinema in Europe.
In about 1915 two adjacent theatres in Moncton, New Brunswick, under the same ownership were converted to share a single entrance on Main Street. After patrons entered the door, there were separate ticket booths for each theatre, and different programs were shown. The arrangement was so unusual that it was featured by Robert Ripley in his Believe It or Not! comic strip. Before multiplexes, some cinemas did show different films at the same time in one auditorium, such as in Cairo, Egypt, reported in 1926.
Kinepolis Brussels, the first cinema to carry the Kinepolis brand, was the biggest and a pioneer in the megaplex industry when it opened in 1988. It introduced various innovations in visual, audio and conceptual aspects of cinema, such as hosting guests and special events. It now has 28 screens and 6270 seats.Canada’s largest movie theaters over the years have been located in Toronto. As mentioned above the 18- (later 21-) screen Cineplex was the movie theater with the most screens in the world until the late 1980s, but remained the largest movie theater in Canada until it was closed at the turn of the 21st century. In 1998, AMC expanded to Canada, building large movie theatres with as many as 24 screens before opening a 30-plex there in 1999, which is the AMC Interchange 30. Then in 2008, the 24-screen AMC Yonge Dundas 24, adjacent to the Eaton Centre, was completed. Cineplex Entertainment purchased the theater in 2012, along with several other Canadian AMC megaplexes, bringing the company full circle. After that, some more were closed or sold to Empire Theatres. AMC exited Canada by closing the AMC Interchange 30 in 2014.You can email the site owner to let them know you were blocked. Please include what you were doing when this page came up and the Cloudflare Ray ID found at the bottom of this page. This website is using a security service to protect itself from online attacks. The action you just performed triggered the security solution. There are several actions that could trigger this block including submitting a certain word or phrase, a SQL command or malformed data. This page displays a list of movie theaters near Laurel, Maryland. You can view showtimes for movies playing near Laurel, Maryland by selecting a theater in the list above. To change the distance range covered in this list, select a new range below.To get the best seats in a movie theater, buy your tickets online so you can choose the seats you want ahead of time. If you can’t get tickets online, show up to the theater early, since the earlier you arrive, the better chance you’ll have at scoring the best seats. Another way to get the best seats is to see a movie on Mondays or Wednesdays, which are typically low-traffic days for movie theaters. If your main concern is good sound quality, aim to sit in the center of the theater two thirds of the way back, which is where the sound technician is positioned. For tips on how to find the best viewing angle in a movie theater, read on! Did this summary help you?
Which theatre has best sound?
About The Dolby Theatre » Dolby Theatre. The theatre is equipped with Dolby Atmos® cinema sound playback—the most natural, lifelike sensory experience available in a cinema. Complete with 215 individually powered loudspeakers, the Dolby Theatre features one of the most sophisticated sound systems in the world.
Not all seats in a movie theater were created equal. It’s true! Some movie theater seats are better than others. It should be easy to get the best movie theater seat if you put some forethought into how you buy your tickets and choose a seat.L’Idéal Cinéma in Aniche (France), built in 1901 as l’Hôtel du Syndicat CGT, showed its first film on 23 November 1905. The cinema was closed in 1977 and the building was demolished in 1993. The “Centre Culturel Claude Berri” was built in 1995; it integrates a new movie theater (the Idéal Cinéma Jacques Tati).3D film is a system of presenting film images so that they appear to the viewer to be three-dimensional. Visitors usually borrow or keep special glasses to wear while watching the movie. Depending on the system used, these are typically polarized glasses. Three-dimensional movies use two images channeled, respectively, to the right and left eyes to simulate depth by using 3-D glasses with red and blue lenses (anaglyph), polarized (linear and circular), and other techniques. 3-D glasses deliver the proper image to the proper eye and make the image appear to “pop-out” at the viewer and even follow the viewer when he/she moves so viewers relatively see the same image.In Asia, Wanda Cinemas is the largest exhibitor in China, with 2,700 screens in 311 theaters and with 18% of the screens in the country; another major Chinese chain is UA Cinemas. China had a total of 31,627 screens in 2015 and is expected to have almost 40,000 in 2016. Hong Kong has AMC Theatres. South Korea’s CJ CGV also has branches in China, Indonesia, Myanmar, Turkey, Vietnam, and the United States. In India, PVR Cinemas is a leading cinema operating a chain of 500 screens and CineMAX and INOX are both multiplex chains. These theatres practice safety guidelines in each cinema halls. Indonesia has the 21 Cineplex and Cinemaxx (as of 2019, renamed as Cinépolis) chain. A major Israel theater is Cinema City International. Japanese chains include Toho and Shochiku.
In 1799, Étienne-Gaspard “Robertson” Robert moved his Phantasmagorie show to an abandoned cloister near the Place Vendôme in Paris. The eerie surroundings, with a graveyard and ruins, formed an ideal location for his ghostraising spectacle.
When it opened in 1838, The Royal Polytechnic Institution in London became a very popular and influential venue with all kinds of magic lantern shows as an important part of its program. At the main theatre, with 500 seats, lanternists would make good use of a battery of six large lanterns running on tracked tables to project the finely detailed images of extra large slides on the 648 square feet screen. The magic lantern was used to illustrate lectures, concerts, pantomimes and other forms of theatre. Popular magic lantern presentations included phantasmagoria, mechanical slides, Henry Langdon Childe’s dissolving views and his chromatrope.
However, some US theaters opt to use the British spelling in their own names, a practice supported by the National Association of Theatre Owners, while apart from Anglophone North America most English-speaking countries use the term cinema /ˈsɪnɪmə/, alternatively spelled and pronounced kinema /ˈkɪnɪmə/. The latter terms, as well as their derivative adjectives “cinematic” and “kinematic”, ultimately derive from Greek κίνημα, κινήματος (kinema, kinematos)—”movement, motion”. In the countries where those terms are used, the word “theatre” is usually reserved for live performance venues.The famous Parisian entertainment venue Le Chat Noir opened in 1881 and is remembered for its shadow plays, renewing the popularity of such shows in France.
Some movie theaters and chains sell monthly passes for unlimited entrance to regular showings. Cinemas in Thailand have a restriction of one viewing per movie. The increasing number of 3D movies, for which an additional fee is required, somewhat undermines the concept of unlimited entrance to regular showings, in particular if no 2D version is screened, except in the cases where 3D is included. Some adult theaters sell a day pass, either as standard ticket, or as an option that costs a little more than a single admission. Also for some film festivals, a pass is sold for unlimited entrance. Discount theaters show films at a greatly discounted rate, however, the films shown are generally films that have already run for many weeks at regular theaters and thus are no longer a major draw, or films which flopped at the box office and thus have already been removed from showings at major theaters in order to free up screens for films that are a better box office draw.
Some well-equipped theaters have “interlock” projectors which allow two or more projectors and sound units to be run in unison by connecting them electronically or mechanically. This set up can be used to project two prints in sync (for dual-projector 3-D) or to “interlock” one or more sound tracks to a single film. Sound interlocks were used for stereophonic sound systems before the advent of magnetic film prints. Fantasound (developed by RCA in 1940 for Disney’s Fantasia) was an early interlock system. Likewise, early stereophonic films such as This Is Cinerama and House of Wax utilized a separate, magnetic oxide-coated film to reproduce up to six or more tracks of stereophonic sound. Datasat Digital Entertainment, purchaser of DTS’s cinema division in May 2008, uses a time code printed on and read off of the film to synchronize with a CD-ROM in the sound track, allowing multi-channel soundtracks or foreign language tracks. This is not considered a projector interlock, however.One reason for the decline in ticket sales in the 2000s is that “home-entertainment options [are] improving all the time— whether streamed movies and television, video games, or mobile apps—and studios releasing fewer movies”, which means that “people are less likely to head to their local multiplex”. This decline is not something that is recent. It has been observed since the 1950s when television became widespread among working-class homes. As the years went on, home media became more popular, and the decline continued. This decline continues until this day. A Pew Media survey from 2006 found that the relationship between movies watched at home versus at the movie theater was in a five to one ratio and 75% of respondents said their preferred way of watching a movie was at home, versus 21% who said they preferred to go to a theater. In 2014, it was reported that the practice of releasing a film in theaters and via on-demand streaming on the same day (for selected films) and the rise in popularity of the Netflix streaming service has led to concerns in the movie theater industry. Another source of competition is television, which has “…stolen a lot of cinema’s best tricks – like good production values and top tier actors – and brought them into people’s living rooms”. Since the 2010s, one of the increasing sources of competition for movie theaters is the increasing ownership by people of home theater systems which can display high-resolution Blu-ray disks of movies on large, widescreen flat-screen TVs, with 5.1 surround sound and a powerful subwoofer for low-pitched sounds.Émile Reynaud screened his Pantomimes Lumineuses animated movies from 28 October 1892 to March 1900 at the Musée Grévin in Paris, with his Théâtre Optique system. He gave over 12,800 shows to a total of over 500,000 visitors, with programs including Pauvre Pierrot and Autour d’une cabine.In North America, the National Association of Theatre Owners (NATO) is the largest exhibition trade organization in the world. According to their figures, the top four chains represent almost half of the theater screens in North America. In Canada, Cineplex Entertainment is by far the largest player with 161 locations and 1,635 screens.
PLFs compete primarily with formats such as digital IMAX; the use of common “off-the-shelf” components and an in-house brand removes the need to pay licensing fees to a third-party for a proprietary large format. Although the term is synonymous with exhibitor-specific brands, some PLFs are franchised. Dolby franchises Dolby Cinema, which is based on technologies such as Atmos and Dolby Vision.
Sometimes movie theaters provide digital projection of a live broadcast of an opera, concert, or other performance or event. For example, there are regular live broadcasts to movie theaters of Metropolitan Opera performances, with additionally limited repeat showings. Admission prices are often more than twice the regular movie theater admission prices.A movie theater may also be referred to as a movie house, film house, film theater, cinema or picture house. In the US, theater has long been the preferred spelling, while in the UK, Australia, Canada and elsewhere it is theatre.
The term “premium large format” (PLF) emerged in the mid-2010 to refer to auditoriums with high-end amenities. PLF does not refer to a single format in general, but combinations of non-proprietary amenities such as larger “wall-to-wall” screens, 4K projectors, 7.1 and/or positional surround sound systems (including Dolby Atmos), and higher-quality seating (such as leather recliners). Cinemas typically brand PLF auditoriums with chain-specific trademarks, such as “Prime” (AMC), “BTX” (Bow Tie), “Superscreen” (Cineworld), “BigD” (Carmike, now owned by AMC), “UltraAVX” (Cineplex), “Macro XE” (Cinépolis), “XD” (Cinemark), “RPX” (Regal Cinemas), “Superscreen DLX”/”Ultrascreen DLX” (Marcus), “Titan” (Reading Cinemas), “Vue Extreme” (Vue International), and “X-land” (Wanda Cinema Line).
In the United States, the studios once controlled many theaters, but after the appearance of Mr. Smith Goes to Washington, Congress passed the Neely Anti-Block Booking Act, which eventually broke the link between the studios and the theaters. Now, the top three chains in the U.S. are Regal Entertainment Group, AMC Entertainment Inc and Cinemark Theatres. In 1995, Carmike was the largest chain in the United States- now, the major chains include AMC Entertainment Inc – 5,206 screens in 346 theaters, Cinemark Theatres – 4,457 screens in 334 theaters, Landmark Theatres – 220 screens in 54 theaters, Marcus Theatres – 681 screens in 53 theaters. National Amusements – 409 screens in 32 theaters and Regal Entertainment Group – 7,334 screens in 588 cinemas. In 2015 the United States had a total of 40,547 screens. In Mexico, the major chains are Cinepolis and Cinemex.
Rows of seats are divided by one or more aisles so that there are seldom more than 20 seats in a row. This allows easier access to seating, as the space between rows is very narrow. Depending on the angle of rake of the seats, the aisles have steps. In older theaters, aisle lights were often built into the end seats of each row to help patrons find their way in the dark. Since the advent of stadium theaters with stepped aisles, each step in the aisles may be outlined with small lights to prevent patrons from tripping in the darkened theater. In movie theaters, the auditorium may also have lights that go to a low level, when the movie is going to begin. Theaters often have booster seats for children and other short people to put on the seat, to sit higher, for a better view. Many modern theaters have accessible seating areas for patrons in wheelchairs. See also luxury screens below.
Since the 1960s, multiple-screen theaters have become the norm, and many existing venues have been retrofitted so that they have multiple auditoriums. A single foyer area is shared among them. In the 1970s, many large 1920s movie palaces were converted into multiple screen venues by dividing their large auditoriums, and sometimes even the stage space, into smaller theaters. Because of their size, and amenities like plush seating and extensive food/beverage service, multiplexes and megaplexes draw from a larger geographic area than smaller theaters. As a rule of thumb, they pull audiences from an eight to 12-mile radius, versus a three to five-mile radius for smaller theaters (though the size of this radius depends on population density). As a result, the customer geography area of multiplexes and megaplexes typically overlaps with smaller theaters, which face threat of having their audience siphoned by bigger theaters that cut a wider swath in the movie-going landscape.During the first decade of motion pictures, the demand for movies, the amount of new productions, and the average runtime of movies, all kept increasing, and at some stage it was viable to have theatres that would no longer program live acts, but only movies.
Where is the best place in cinema sound?
Experts recommend that you sit slightly off center to amplify the effect of the sound. Try sitting one or two seats from the dead center of the theater, two-thirds back. You will have a “dynamic, stereo sound” from this position.
IMAX is a system using 70 mm film with more than ten times the frame size of a 35 mm film. IMAX theaters use an oversized screen as well as special projectors. The first permanent IMAX theater was at Ontario Place in Toronto, Canada. Until 2016, visitors to the IMAX cinema attached to the National Science and Media Museum in Bradford, West Yorkshire, England, United Kingdom, could observe the IMAX projection booth via a glass rear wall and watch the large format films being loaded and projected. The largest permanent IMAX cinema screen measures 38.80 m × 21.00 m (127.30 ft × 68.90 ft) and was achieved by Traumplast Leonberg (Germany) in Leonberg, Germany, verified on 6 December 2022.The smallest purpose-built cinema is the Cabiria Cine-Cafe which measures 24 m (260 sq ft) and has a seating capacity of 18. It was built by Renata Carneiro Agostinho da Silva (Brazil) in Brasília DF, Brazil in 2008. It is mentioned in the 2010 Guinness World Records. The World’s smallest solar-powered mobile cinema is Sol Cinema in the UK. Touring since 2010 the cinema is actually a converted 1972 caravan. It seats 8–10 at a time. In 2015 it featured in a Lenovo advert for the launch of a new tablet. The Bell Museum of Natural History in Minneapolis, Minnesota has recently begun summer “bike-ins”, inviting only pedestrians or people on bicycles onto the grounds for both live music and movies. In various Canadian cities, including Toronto, Calgary, Ottawa and Halifax, al-fresco movies projected on the walls of buildings or temporarily erected screens in parks operate during the Summer and cater to a pedestrian audience. The New Parkway Museum in Oakland, California replaces general seating with couches and coffee tables, as well as having a full restaurant menu instead of general movie theater concessions such as popcorn or candy.
Until the multiplex era, prior to showtime, the screen in some theaters would be covered by a curtain, in the style of a theater for a play. The curtain would be drawn for the feature. It is common practice in Australia for the curtain to cover part of the screen during advertising and trailers, then be fully drawn to reveal the full width of the screen for the main feature. Some theaters, lacking a curtain, filled the screen with slides of some form of abstract art prior to the start of the movie. Currently, in multiplexes, theater chains often feature a continuous slideshow between showings featuring a loop of movie trivia, promotional material for the theater chains (such as encouraging patrons to purchase drinks, snacks and popcorn, gift vouchers and group rates, or other foyer retail offers), or advertising for local and national businesses. Advertisements for Fandango and other convenient methods of purchasing tickets is often shown. Also prior to showing the film, reminders, in varying forms would be shown concerning theater etiquette (no smoking, no talking, no littering, removing crying babies, etc.) and in recent years, added reminders to silence mobile phones as well as warning concerning movie piracy with camcorders (“camming”).
IMAX also refers to a digital cinema format that uses dual 2K resolution projectors and a screen with a 1.90:1 aspect ratio; this system is designed primarily for use in retrofitted multiplexes, using screens significantly smaller than those normally associated with IMAX. In 2015, IMAX introduced an updated “IMAX with Laser” format, using 4K resolution laser projectors.In most markets, nearly all single-screen theaters (sometimes referred to as a “Uniplex”) have gone out of business; the ones remaining are generally used for arthouse films, e.g. the Crest Theatre in downtown Sacramento, California, small-scale productions, film festivals or other presentations. Because of the late development of multiplexes, the term “cinema” or “theater” may refer either to the whole complex or a single auditorium, and sometimes “screen” is used to refer to an auditorium. A popular film may be shown on multiple screens at the same multiplex, which reduces the choice of other films but offers more choice of viewing times or a greater number of seats to accommodate patrons. Two or three screens may be created by dividing up an existing cinema (as Durwood did with his Roxy in 1964), but newly built multiplexes usually have at least six to eight screens, and often as many as twelve, fourteen, sixteen or even eighteen.
In 1967, the British government launched seven custom-built mobile cinema units for use as part of the Ministry of Technology campaign to raise standards. Using a very futuristic look, these 27-seat cinema vehicles were designed to attract attention. They were built on a Bedford SB3 chassis with a custom Coventry Steel Caravan extruded aluminum body. Movies are also commonly shown on airliners in flight, using large screens in each cabin or smaller screens for each group of rows or each individual seat; the airline company sometimes charges a fee for the headphones needed to hear the movie’s sound. In a similar fashion, movies are sometimes also shown on trains, such as the Auto Train.
A typical modern theater presents commercial advertising shorts, then movie trailers, and then the feature film. Advertised start times are usually for the entire program or session, not the feature itself; thus people who want to avoid commercials and trailers would opt to enter later. This is easiest and causes the least inconvenience when it is not crowded or one is not very choosy about where one wants to sit. If one has a ticket for a specific seat (see below) one is formally assured of that, but it is still inconvenient and disturbing to find and claim it during the commercials and trailers, unless it is near an aisle. Some movie theaters have some kind of break during the presentation, particularly for very long films. There may also be a break between the introductory material and the feature. Some countries such as the Netherlands have a tradition of incorporating an intermission in regular feature presentations, though many theaters have now abandoned that tradition, while in North America, this is very rare and usually limited to special circumstances involving extremely long movies. During the closing credits many people leave, but some stay until the end. Usually the lights are switched on after the credits, sometimes already during them. Some films show mid-credits scenes while the credits are rolling, which in comedy films are often bloopers and outtakes, or post-credits scenes, which typically set up the audience for a sequel.
The first commercial, public screening of films made with Louis and Auguste Lumière’s Cinématographe took place in the basement of Salon Indien du Grand Café in Paris on 28 December 1895.
In some movie theater complexes, the theaters are arranged such that tickets are checked at the entrance into the entire plaza, rather than before each theater. At a theater with a sold-out show there is often an additional ticket check, to make sure that everybody with a ticket for that show can find a seat. The lobby may be before or after the ticket check.The film is projected with a movie projector onto a large projection screen at the front of the auditorium while the dialogue, sounds, and music are played through a number of wall-mounted speakers. Since the 1970s, subwoofers have been used for low-pitched sounds. Since the 2010s, the majority of movie theaters have been equipped for digital cinema projection, removing the need to create and transport a physical film print on a heavy reel.
Usually in the 2010s, an admission is for one feature film. Sometimes two feature films are sold as one admission (double feature), with a break in between. Separate admission for a short subject is rare; it is either an extra before a feature film or part of a series of short films sold as one admission (this mainly occurs at film festivals). (See also anthology film.) In the early decades of “talkie” films, many movie theaters presented a number of shorter items in addition to the feature film. This might include a newsreel, live-action comedy short films, documentary short films, musical short films, or cartoon shorts (many classic cartoons series such as the Looney Tunes and Mickey Mouse shorts were created for this purpose). Examples of this kind of programming are available on certain DVD releases of two of the most famous films starring Errol Flynn as a special feature arrangement designed to recreate that kind of filmgoing experience while the PBS series, Matinee at the Bijou, presented the equivalent content. Some theaters ran on continuous showings, where the same items would repeat throughout the day, with patrons arriving and departing at any time rather than having distinct entrance and exit cycles. Newsreels gradually became obsolete by the 1960s with the rise of television news, and most material now shown prior to a feature film is of a commercial or promotional nature (which usually include “trailers”, which are advertisements for films and commercials for other consumer products or services). Thomas Edison initially believed film screening would not be as viable commercially as presenting films in peep boxes, hence the film apparatus that his company would first exploit became the kinetoscope. A few public demonstrations occurred since 9 May 1893, before a first public Kinetoscope parlor was opened on 14 April 1894, by the Holland Bros. in New York City at 1155 Broadway, on the corner of 27th Street. This can be regarded as the first commercial motion picture house. The venue had ten machines, set up in parallel rows of five, each showing a different movie. For 25 cents a viewer could see all the films in either row; half a dollar gave access to the entire bill. The relatively strong uniformity of movie ticket prices, particularly in the U.S., is a common economics puzzle, because conventional supply and demand theory would suggest higher prices for more popular and more expensive movies, and lower prices for an unpopular “bomb” or for a documentary with less audience appeal. Unlike seemingly similar forms of entertainment such as rock concerts, in which a popular performer’s tickets cost much more than an unpopular performer’s tickets, the demand for movies is very difficult to predict ahead of time. Indeed, some films with major stars, such as Gigli (which starred the then-supercouple of Ben Affleck and Jennifer Lopez), have turned out to be box-office bombs, while low-budget films with unknown actors have become smash hits (e.g., The Blair Witch Project). The demand for films is usually determined from ticket sale statistics after the movie is already out. Uniform pricing is therefore a strategy to cope with unpredictable demand. Historical and cultural factors are sometimes also cited.In order to obtain admission to a movie theater, the prospective theater-goer must usually purchase a ticket from the box office, which may be for an arbitrary seat (“open” or “free” seating, first-come, first-served) or for a specific one (allocated seating). As of 2015, some theaters sell tickets online or at automated kiosks in the theater lobby. Movie theaters in North America generally have open seating. Cinemas in Europe can have free seating or numbered seating. Some theaters in Mexico offer numbered seating, in particular, Cinepolis VIP. In the case of numbered seating systems the attendee can often pick seats from a video screen. Sometimes the attendee cannot see the screen and has to make a choice based on a verbal description of the still available seats. In the case of free seats, already seated customers may be asked by staff to move one or more places for the benefit of an arriving couple or group wanting to sit together.”Stadium seating”, popular in modern multiplexes, actually dates back to the 1920s. The 1922 Princess Theatre in Honolulu, Hawaii featured “stadium seating”, sharply raked rows of seats extending from in front of the screen back towards the ceiling. It gives patrons a clear sight line over the heads of those seated in front of them. Modern “stadium seating” was utilized in IMAX theaters, which have very tall screens, beginning in the early 1970s.
Max Skladanowsky and his brother Emil demonstrated their motion pictures with the Bioscop in July 1895 at the Gasthaus Sello in Pankow (Berlin). This venue was later, at least since 1918, exploited as the full-time movie theatre Pankower Lichtspiele and between 1925 and 1994 as Tivoli. The first certain commercial screenings by the Skladanowsky brothers took place at the Wintergarten in Berlin from 1 to 31 November 1895.
The Eidoloscope, devised by Eugene Augustin Lauste for the Latham family, was demonstrated for members of the press on 21 April 1895 and opened to the paying public on 20 May, in a lower Broadway store with films of the Griffo-Barnett prize boxing fight, taken from Madison Square Garden’s roof on 4 May.
In the United States, many small and simple theatres were set up, usually in converted storefronts. They typically charged five cents for admission, and thus became known as nickelodeons. This type of theatre flourished from about 1905 to circa 1915.A movie theater (American English), cinema (British English), or cinema hall (Indian English), also known as a movie house, picture house, the movies, the pictures, picture theater, the silver screen, the big screen, or simply theater is a business that contains auditoria for viewing films (also called movies) for public entertainment. Most, but not all, movie theaters are commercial operations catering to the general public, who attend by purchasing tickets.
Some cinemas in city centers offer luxury seating with services like complimentary refills of soft drinks and popcorn, a bar serving beer, wine and liquor, reclining leather seats and service bells. Cinemas must have a liquor license to serve alcohol. The Vue Cinema and CGV Cinema chain is a good example of a large-scale offering of such a service, called “Gold Class” and similarly, ODEON, Britain’s largest cinema chain, and 21 Cineplex, Indonesia’s largest cinema chain, have gallery areas in some of their bigger cinemas where there is a separate foyer area with a bar and unlimited snacks.
Traditionally a movie theater, like a stage theater, consists of a single auditorium with rows of comfortable padded seats, as well as a foyer area containing a box office for buying tickets. Movie theaters also often have a concession stand for buying snacks and drinks within the theater’s lobby. Other features included are film posters, arcade games and washrooms. Stage theaters are sometimes converted into movie theaters by placing a screen in front of the stage and adding a projector; this conversion may be permanent, or temporary for purposes such as showing arthouse fare to an audience accustomed to plays. The familiar characteristics of relatively low admission and open seating can be traced to Samuel Roxy Rothafel, an early movie theater impresario. Many of these early theaters contain a balcony, an elevated level across the auditorium above the theater’s rearmost seats. The rearward main floor “loge” seats were sometimes larger, softer, and more widely spaced and sold for a higher price. In conventional low pitch viewing floors the preferred seating arrangement is to use staggered rows. While a less efficient use of floor space this allows a somewhat improved sight line between the patrons seated in the next row toward the screen, provided they do not lean toward one another.
This practice is most common with blockbuster movies. Muvico Theaters, Regal Entertainment Group, Pacific Theatres and AMC Theatres are some theaters that interlock films.
Movie studios/film distributors in the US traditionally drive hard bargains entitling them to as much as 100% of the gross ticket revenue during the first weeks (and then the balance changes in 10% increments in favor of exhibitors at intervals that vary from film to film). Film exhibition has seen a rise in its development with video consolidation as well as DVD sales, which over the past two decades is the biggest earner in revenue. According to The Contemporary Hollywood Film Industry, Philip Drake states that box office takings currently account for less than a quarter of total revenues and have become increasingly “front loaded”, earning the majority of receipts in the opening two weeks of exhibition, meaning that films need to make an almost instant impact in order to avoid being dropped from screens by exhibitors. Essentially, if the film does not succeed in the first few weeks of its inception, it will most likely fail in its attempt to gain a sustainable amount of revenue and thus being taken out from movie theaters. Furthermore, higher-budget films on the “opening weekend”, or the three days, Friday to Sunday, can signify how much revenue it will bring in, not only to America, but as well as overseas. It may also determine the price in distribution windows through home video and television.
Admission to a movie may also be restricted by a motion picture rating system, typically due to depictions of sex, nudity or graphic violence. According to such systems, children or teenagers below a certain age may be forbidden access to theaters showing certain movies, or only admitted when accompanied by a parent or other adult. In some jurisdictions, a rating may legally impose these age restrictions on movie theaters. Where movie theaters do not have this legal obligation, they may enforce restrictions on their own. Accordingly, a movie theater may either not be allowed to program an unrated film, or voluntarily refrain from that.In 2009, movie exhibitors became more interested in 3D film. The number of 3D screens in theaters is increasing. The RealD company expects 15,000 screens worldwide in 2010. The availability of 3D movies encourages exhibitors to adopt digital cinema and provides a way for theaters to compete with home theaters. One incentive for theaters to show 3D films is that although ticket sales have declined, revenues from 3D tickets have grown. In the 2010s, 3D films became popular again. The IMAX 3D system and digital 3D systems are used (the latter is used in the animated movies of Disney/Pixar). The RealD 3D system works by using a single digital projector that swaps back and forth between the images for eyes. A filter is placed in front of the projector that changes the polarization of the light coming from the projector. A silver screen is used to reflect this light back at the audience and reduce loss of brightness. There are four other systems available: Volfoni, Master Image, XpanD and Dolby 3D.
In the United States, many movie theater chains sell discounted passes, which can be exchanged for tickets to regular showings. These passes are traditionally sold in bulk to institutional customers and also to the general public at Bulktix.com. Some passes provide substantial discounts from the price of regular admission, especially if they carry restrictions. Common restrictions include a waiting period after a movie’s release before the pass can be exchanged for a ticket or specific theaters where a pass is ineligible for admission.
Although definitions vary, a large multiplex with 20 or more screens is usually called a “megaplex”. However, in the United Kingdom, this was a brand name for Virgin Cinema (later UGC). The first megaplex is generally considered to be the Kinepolis in Brussels, Belgium, which opened in 1988 with 25 screens and a seating capacity of 7,500. The first theater in the U.S. built from the ground up as a megaplex was the AMC Grand 24 in Dallas, Texas, which opened in May 1995, while the first megaplex in the U.S.-based on an expansion of an existing facility was Studio 28 in Grand Rapids, Michigan, which reopened in November 1988 with 20 screens and a seating capacity of 6,000.
Some outdoor movie theaters are just grassy areas where the audience sits upon chairs, blankets or even in hot tubs, and watch the movie on a temporary screen, or even the wall of a building. Colleges and universities have often sponsored movie screenings in lecture halls. The formats of these screenings include 35 mm, 16 mm, DVD, VHS, and even 70 mm in rare cases. Some alternative methods of showing movies have been popular in the past. In the 1980s the introduction of VHS cassettes made possible video-salons, small rooms where visitors viewed movies on a large TV. These establishments were especially popular in the Soviet Union, where official distribution companies were slow to adapt to changing demand, and so movie theaters could not show popular Hollywood and Asian films.
Canada was the first country in the world to have a two-screen theater. The Elgin Theatre in Ottawa, Ontario became the first venue to offer two film programs on different screens in 1957 when Canadian theater-owner Nat Taylor converted the dual screen theater into one capable of showing two different movies simultaneously. Taylor is credited by Canadian sources as the inventor of the multiplex or cineplex; he later founded the Cineplex Odeon Corporation, opening the 18-screen Toronto Eaton Centre Cineplex, the world’s largest at the time, in Toronto, Ontario. In the United States, Stanley Durwood of American Multi-Cinema (now AMC Theatres) is credited as pioneering the multiplex in 1963 after realizing that he could operate several attached auditoriums with the same staff needed for one through careful management of the start times for each movie. Ward Parkway Center in Kansas City, Missouri had the first multiplex cinema in the United States.
Claimants for the title of the earliest movie theatre include the Eden Theatre in La Ciotat, where L’Arrivée d’un train en gare de La Ciotat was screened on 21 March 1899. The theatre closed in 1995 but re-opened in 2013.
Colloquial expressions, mostly applied to motion pictures and motion picture theaters collectively, include the silver screen (formerly sometimes sheet) and the big screen (contrasted with the smaller screen of a television set). Specific to North American term is the movies, while specific terms in the UK are the pictures, the flicks and for the facility itself the flea pit (or fleapit). A screening room is a small theater, often a private one, such as for the use of those involved in the production of motion pictures or in a large private residence.
The earliest 3D movies were presented in the 1920s. There have been several prior “waves” of 3D movie distribution, most notably in the 1950s when they were promoted as a way to offer audiences something that they could not see at home on television. Still the process faded quickly and as yet has never been more than a periodic novelty in movie presentation. The “golden era” of 3D film began in the early 1950s with the release of the first color stereoscopic feature, Bwana Devil. The film starred Robert Stack, Barbara Britton and Nigel Bruce. James Mage was an early pioneer in the 3D craze. Using his 16 mm 3D Bolex system, he premiered his Triorama program in February 1953 with his four shorts: Sunday In Stereo, Indian Summer, American Life, and This is Bolex Stereo. 1953 saw two groundbreaking features in 3D: Columbia’s Man in the Dark and Warner Bros. House of Wax, the first 3D feature with stereophonic sound. For many years, most 3-D movies were shown in amusement parks and even “4-D” techniques have been used when certain effects such as spraying of water, movement of seats, and other effects are used to simulate actions seen on the screen. The first decline in the theatrical 3D craze started in August and September 1953.
Does Iowa have a movie theater?
The big screen is back at Marcus Sycamore Cinema! We look forward to welcoming you for a spectacular movie experience!
Movie theatres stand in a long tradition of theaters that could house all kinds of entertainment. Some forms of theatrical entertainment would involve the screening of moving images and can be regarded as precursors of film. In the U.S. average ticket prices have risen from $9.16 per ticket in 2019 to $10.93 per ticket in 2023, amid the loss of 2,000-plus movie screens during the pandemic. The etymology of the term “movie theater” involves the term “movie”, which is a “shortened form of moving picture in the cinematographic sense” that was first used in 1896 and “theater”, which originated in the “…late 14c., [meaning an] open air place in ancient times for viewing spectacles and plays”. The term “theater” comes from the Old French word “theatre”, from the 12th century and “…directly from Latin theatrum [which meant] ‘play-house, theater; stage; spectators in a theater'”, which in turn came from the Greek word “theatron”, which meant “theater; the people in the theater; a show, a spectacle”, [or] literally “place for viewing”. The use of the word “theatre” to mean a “building where plays are shown” dates from the 1570s in the English language.The earliest public film screenings took place in existing (vaudeville) theatres and other venues that could be darkened and comfortably house an audience.
When a system is used that requires inexpensive 3D glasses, they can sometimes be kept by the patron. Most theaters have a fixed cost for 3D, while others charge for the glasses, but the latter is uncommon (at least in the United States). For example, in Pathé theaters in the Netherlands the extra fee for watching a 3D film consists of a fixed fee of €1.50, and an optional fee of €1 for the glasses. Holders of the Pathé Unlimited Gold pass (see also below) are supposed to bring along their own glasses; one pair, supplied yearly, more robust than the regular type, is included in the price.
In Canada, the total operating revenue in the movie theater industry was $1.7 billion in 2012, an 8.4% increase from 2010. This increase was mainly the result of growth in box office and concession revenue. Combined, these accounted for 91.9% of total industry operating revenue. In the US, the “…number of tickets sold fell nearly 11% between 2004 and 2013, according to the report, while box office revenue increased 17%” due to increased ticket prices.The earliest known public screening of projected stroboscopic animation was presented by Austrian magician Ludwig Döbler on 15 January 1847 at the Josephstadt Theatre in Vienna, with his patented Phantaskop. The animated spectacle was part of a well-received show that sold-out in several European cities during a tour that lasted until the spring of 1848. A drive-in movie theater is an outdoor parking area with a screen—sometimes an inflatable screen—at one end and a projection booth at the other. Moviegoers drive into the parking spaces which are sometimes sloped upwards at the front to give a more direct view of the movie screen. Movies are usually viewed through the car windscreen (windshield) although some people prefer to sit on the bonnet (hood) of the car. Some may also sit in the trunk (back) of their car if space permits. Sound is either provided through portable loudspeakers located by each parking space, or is broadcast on an FM radio frequency, to be played through the car’s stereo system. Because of their outdoor nature, drive-ins usually only operate seasonally, and after sunset. Drive-in movie theaters are mainly found in the United States, where they were especially popular in the 1950s and 1960s. Once numbering in the thousands, about 400 remain in the U.S. today. In some cases, multiplex or megaplex theaters were built on the sites of former drive-in theaters. In South America, Argentine chains include Hoyts, Village Cinemas, Cinemark and Showcase Cinemas. Brazilian chains include Cinemark and Moviecom. Chilean chains include Hoyts and Cinemark. Colombian, Costa Rican, Panamanian and Peruvian chains include Cinemark and Cinépolis.For 2013, the average price for a movie ticket in the United States was $8.13. The price of a ticket may be discounted during off-peak times e.g. for matinees, and higher at busy times, typically evenings and weekends. In Australia, Canada and New Zealand, when this practice is used, it is traditional to offer the lower prices for Tuesday for all showings, one of the slowest days of the week in the movie theater business, which has led to the nickname “cheap Tuesday”. Sometimes tickets are cheaper on Monday, or on Sunday morning. Almost all movie theaters employ economic price discrimination: tickets for youth, students, and seniors are typically cheaper. Large theater chains, such as AMC Theatres, also own smaller theaters that show “second runs” of popular films, at reduced ticket prices. Movie theaters in India and other developing countries employ price discrimination in seating arrangement: seats closer to the screen cost less, while the ones farthest from the screen cost more. Movie theatres in India are also practicing safety guidelines and precautions after 2020.
A great variety of films are shown at cinemas, ranging from animated films to blockbusters to documentaries. The smallest movie theaters have a single viewing room with a single screen. In the 2010s, most movie theaters had multiple screens. The largest theater complexes, which are called multiplexes—a concept developed in Canada in the 1950s—have up to thirty screens. The audience members often sit on padded seats, which in most theaters are set on a sloped floor, with the highest part at the rear of the theater. Movie theaters often sell soft drinks, popcorn, and candy, and some theaters sell hot fast food. In some jurisdictions, movie theaters can be licensed to sell alcoholic drinks.
You are not permitted to use any camera or recording equipment in this cinema. This will be treated as an attempt to breach copyright. Any person doing so can be ejected and such articles may be confiscated by the police. We ask the audience to be vigilant against any such activity and report any matters arousing suspicion to cinema staff. Thank you.
If memory serves me correctly, one of the auditoriums had stereo and was larger then the second of the twins. No, it wasn’t anything great but they did offer rather cheap prices for second run movies. I do recall that they had pictures of several of local Maryland movie theaters some closed, some still open. Towards the end, they showed primarily Hindi films. Retail stores have no taken over the space that was once a movie theater.The LAUREL CINEMA in Laurel Shopping Center was not a single screen house, it was a twin. Super cheap, super uncomfortable, all such twin theatres which opened around Washington-Baltimore are long since gone —– and are not missed. Boxoffice of December 8, 1975, announced that the Laurel Cinema had reopened as a twin on November 21. The auditoriums seated 424 and 476. It was being operated by District Theatres. There was a LAUREL theatre on Main Street, built in the 1930’s I guess, with about 600 seats including a small balcony. It was great, and we saw maybe 40 or 50 movies there in the 1950-1965 era. They charged about 15% less than most theatres and they played first neighborhood runs a week or two before other theatres got them. In the late 1950’s they installed a huge screen and new stereo —– great for movies like Richard Burton in Alexander the Great.Although Boxoffice Magazine published a small architect’s drawing of this theater in their issue of December 20, 1965, they failed to give the name of the architect. Construction was about to begin, and completion was expected by spring, 1966. The theater was built for Lipsner Enterprises, and was originally called simply the Cinema. It was to be a single screen house equipped for 70mm movies, and would seat about 1000 patrons.
What is the nicest movie theater in the world?
Here are 10 of the best theaters in the world, from ancient to ultra-modern, each with a fascinating history.Sydney Opera House, Sydney. … Teatro Colón, Buenos Aires. … Victoria Theatre, Singapore. … Teatro Greco, Taormina. … Water Puppet Theater, Hanoi. … Shakespeare’s Globe, London. … Teatro La Fenice, Venice.
The drawing showed a rather plain, boxy building with one corner chopped off for the entrance. Instead of a traditional marquee there was a flat attraction board mounted above a canopy. The text of the article said that the house would also have a 24-foot stage with double drapes, so that live events could be presented.The Regal is also equipped with the “Sony Entertainment Access System, to assist moviegoers who are deaf, hard of hearing, blind or low vision. The system includes specially designed lightweight eyewear for guests who are deaf or hard of hearing to privately view closed captioned text directly in their line of sight for both 2D and 3D movies. This assistive technology also includes a wireless receiver that provides access to descriptive audio tracks via a pair of headsets for guests who are blind or have low vision.”The 2,000-seat theater, designed by Martin Architectural, is equipped with what is now becoming a norm in new cinemas: automated recliners. In addition to the latest theater technology, they have mobile ticket purchasing from any smart phone.
Following a Regal Theatres tradition, their Laurel Towne Centre location opened on November 16 to 18, 2014, with their movies for charities days. On November 20, “The Hunger Games: Mockingjay – Part 1” headed up the grand opening for first-run movies and the holiday season.
This is a pretty new theater, so it’s in very good condition. Seats are wide and very comfortable (they even recline like La-Z-Boys!), and you can reserve them in advance, which helps ensure that everyone in your group will be able to sit together. The one issue is that the individual theaters are fairly small, so they sometimes fill up quickly for popular movies, and it’s also hard to sit very far back from the screen. Restrooms are clean and well-lit.This is the version of our website addressed to speakers of English in the United States. If you are a resident of another country or region, please select the appropriate version of Tripadvisor for your country or region in the drop-down menu. We visit this Regal frequently due to it’s location. This theater has comfortable, reclining seats, friendly staff, and always the latest movies. Parking is easy in the lot close to the building. The place is brand new and located in a new shopping center with a huge variety of shops. They offer reclining seats, order ahead food and the food is surprising good. A liquor license would be a great addition!
Who has the biggest movie theater?
AMC Theatres has since built many megaplexes with up to 30 screens, starting with the AMC Ontario Mills 30, which was billed by AMC as the largest theater in the world when it opened on December 13, 1996.
After 10 PM Sunday to Thursday night and after 11:59 PM Friday to Saturday, moviegoers under the age of 16 must be accompanied by a parent or legal guardian 21 years of age. To be on theatre property, a valid state ID or military ID may be required to verify age.We’ve been working with talented filmmakers to create unforgettable movie experiences for more than 40 years. From the cinema to the living room, Dolby continues to transform the entertainment experience, and the Dolby Theatre reflects our ongoing commitment to help moviemakers realize their visions. One of the world’s premier entertainment venues, Dolby Theatre has hosted a range of prestigious artists and events including IRIS by Cirque du Soleil, Alicia Keys, Celine Dion, Prince, Elvis Costello, Barry Manilow, Stevie Wonder, Harry Connick, Jr., Melissa Etheridge, Dixie Chicks, Tyler Perry, American Ballet Theatre and various touring Broadway productions. The theatre is equipped with Dolby Atmos cinema sound playback—the most natural, lifelike sensory experience available in a cinema. Complete with 215 individually powered loudspeakers, the Dolby Theatre features one of the most sophisticated sound systems in the world.
Who is the best cinema in the world?
The world’s most beautiful movie theatresStella Cinema, Dublin.TCL Chinese Theatre, Los Angeles. … Castro Theatre, San Francisco. … Cineteca Nacional de Mexico, Mexico City. … New Beverly Cinema, Los Angeles. … The Park Theatre, Manitoba. … Stadtkino, Vienna. …
The five-level theatre lobby is centered by a grand spiral staircase with cherrywood balustrades, topped by an oval, uplit silvery dome. Certain lobby design elements were inspired by Michelangelo’s Campodiglio in Rome and Busby Berkeley’s choreography. Twenty-six spectacular images of famous Oscar winners including Grace Kelly, Jack Nicholson, Marlon Brando, Halle Berry and Julia Roberts are permanently displayed on four lobby levels as photographic transparencies on clear plexiglass hung in front of shimmering beaded “silver screen” panels.The audience chamber is highlighted by a silver-leafed “tiara”, a striking, looping oval structure that both supports and disguises an immense ceiling grid for lighting. Reflective ribs from the tiara extend down between the theatre’s box seats, creating a continuous flow from wall to ceiling. The chamber was designed to draw attention to the action on the stage, as well as to achieve the maximum intimacy between audience and performers. It is appointed with sumptuous details that give the space warmth including cherrywood finishes and deep plum upholstery, as well as a shimmering glow provided by curtains of two shades of iridescent fabric and a fine bronze mesh that stretches to the top of the proscenium, which measures some 64 feet wide by 35 feet high. The main stage area is one of the largest in the nation, at 120 feet wide and 75 feet deep.
For the theatergoer, Dolby Theatre experience begins on Hollywood Boulevard, where a towering portal, designed by Rockwell, serves as the grand entrance to the theatre, which is set back from the street. A two-story Awards Walk, featuring backlit glass plaques for each Best Picture Oscar winner on a series of limestone portals, leads up a sweeping staircase with red mosaic tile to the main entrance.
Notable television and awards events at Dolby Theatre have included the American Idol finals, AFI Lifetime Achievement Awards to Tom Hanks, Meryl Streep, and George Lucas, Daytime Emmy Awards, ESPY Awards and BET Awards.Dolby Theatre is located within the Hollywood & Highland, which consists of over 640,000 square feet of space featuring national, regional and local retail tenants, a variety of restaurants, several of Hollywood’s hottest nightclubs, a six screen state-of-the-art cinema adjacent to the world-famous TCL Chinese Theatre (formerly known as Grauman’s) and the 640 room Loews Hollywood Hotel. CIM Group, an integrated, full-service real estate investor and operator based in Hollywood, became the owner of Hollywood & Highland in February 2004.
Wolfgang Puck Catering and Events, owned by celebrated chef Wolfgang Puck, is the exclusive provider of food and beverage services for Dolby Theatre, including front of house, backstage and special private events that can be held in the theatre lobbies and the Dolby Lounge.The theatre is equipped with Dolby Vision projection technology—delivering incredible color, a million-to-one contrast ratio, and twice the brightness of standard screens. Guided theatre tours are offered with production and performance schedule exceptions. Please refer to the Tour Schedule for availability. The walking tour offers visitors architectural and historical highlights of the world-renowned venue, as well as a glimpse of the ultra glamorous side of Dolby Theatre on Hollywood’s biggest night – the Oscars. Dating back to 1936, The Astor is the oldest single-screen theatre in Melbourne, and its past is as dramatic as its popular double-bills. The Art Deco gem has been under threat of development for decades, but won its most recent reprieve in 2015, when indie chain Palace Cinemas took over the site. The giant auditorium seats about 1,600 people over two levels, and it’s regularly packed out for classics like 2001: A Space Odyssey and Star Wars or Harry Potter marathons. The new owners haven’t changed much, and the lush red velvet curtains, geometric carpet, piano, ’30s movie posters and euphemistically named ‘cloak rooms’ remain. There are fewer double bills these days but it remains still a fixture in Melbourne’s movie scene and regularly fills its notoriously uncomfortable but heritage seats. Cass KnowltonHow to support The Projector: Membership offers perks like free tickets, discounts, and members-only screenings. A new streaming platform, The Projector Plus, was recently launched too.
Fancy watching a movie in a whopping great palace? Head for Vienna’s Stadtkino, nestled inside the Künstlerhaus, one of the city’s main cultural edifices since Franz Joseph had it built in 1868. The exterior and foyer bits are very 21st century, with a lightbox-style marquee and recent architectural refit bringing clean lines and slick Wallpaper*-style gleam. There’s a DJ booth your dad will hate – though he’ll probably be into the gastro vibes provided by local restaurateurs Ludwig & Adele’s canteen. It’s all been designed to heighten the sense of expectation and make the wait for the film to start part of the experience. And the screen itself? It’s kino-tastic. Phil de Semlyen
How to support it: The Raj Mandir’s online and social presence is minimal. The best thing you can do is store this place in the memory and make sure you visit if you ever find yourself in India.