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Where is the nicest movie theater in the world?
10 of the world’s most enjoyable movie theatersRajmandir Theatre, Jaipur, India. … Kino International, Berlin, Germany. … 4DX, Seoul, South Korea. … Uplink X, Tokyo, Japan. … Hot Tub Cinema, worldwide. … Cine de Chef, Seoul, South Korea. … Secret Cinema, Worldwide. … The Castro Theatre, San Francisco, United States.
Care for a new French movie or a Dutch documentary? MovieStars, as the name suggests, is a complete package when it comes to online movie streaming. In addition to Hollywood hits, this website gives you links to regional as well as international movies in multiple languages.WatchFree does not look attractive at first glance as its interface is quite simple and crude. Yet a deeper investigation shows that it’s a worthy site to watch free movies online no sign up, for it provides movies of both old and new in original quality (you don’t have to register to get HD quality). The drawback of WatchFree is that it does not index as many resources as other sites.

There are many websites like Putlocker, Losmovies, solarmovies, 123movies, etc., where you can watch movies for free. However, you may have to deal with pesky ads on some sites. SolarMovie is an extremely popular free streaming site. It allows users to stream thousands of movies free of charge, in HD, and without needing to sign up.
Streaming free movies online is becoming a must for some people. With the cost of living going up, paying for multiple streaming sites is getting very expensive. We’ve also seen numerous platforms continuously raising their prices. That’s why so many people now turn to the best free movie streaming sites instead.Frequent instances of firing and shootouts, easy availability of pistols and kattas and alleged gang wars … locals in this Jharkhand town have been longing for peace FlixTor is one of the best free movie streaming sites to find the latest movies for free. We’ve actually written about it before in our piece on how FlixTor works and whether it’s illegal (it is in most jurisdictions!). Flixtor is a really great choice, and is pretty well established in the free movie streaming industry, with more than 500,000 monthly visitors. AZMovies is another free streaming website with a robust interface and an excellent search bar. The streaming links you get on this website are usually stable, giving a decent streaming experience on AZMovie. On the downside, you will have to deal with annoying pop-ups on every click. The content library also needs an update, considering the quality of movies other sites offer. In addition to all this, easy access, interruption-free streaming, and multiple servers make it a great choice for online movie streaming in 2023. Los Movies provides you with popular movies as well as TV shows across the world free to watch with no sign-up. You can browse the movies by genres, countries, actors, and directors. Yet you need a Flash Player to watch most videos and some videos also require a DivX Player. The video quality is relatively low compared with other similar sites. This guide has shared all the best movie streaming websites in 2023. The best part is that these sites do not require any sign-up and you can quickly jump onto the fun part of watching movies right away! In this article, we list the best free streaming websites that you can use to safely watch your favorite movies and TV shows online. We’ve also listed the most common free movie streaming websites that we recommend avoiding because they are illegal or dangerous to use.With categories like genres, directors, actors, ratings, top picks, etc., the LosMovies website lets you dive into a vast sea of movies and sitcoms. Unlike some of the movie sites with a plethora of ads, pop-ups, and pesky redirects, the clean interface of LosMovies is perfect for teenagers and kids as well.

Let’s face it, paying for Netflix and Hulu is expensive. Add ever-increasing prices for just about everything, and at some point, you need to draw a line in the sand that says, “No more.” If you’re looking to save money and pare down to a few streaming services that offer the best value and are willing to tolerate some ads, explore the cheapest options available. You’ll find plenty of free and legal platforms on the best streaming devices.

What are the top movies in theaters now?
Check out the 10 best movies in theaters right now:BlackBerryRelease Date: May 12, 2023. … The BoogeymanRelease Date: June 2, 2023. … Master GardenerRelease Date: May 19, 2023. … No Hard FeelingsRelease Date: June 23, 2023. … ElementalRelease Date: June 16, 2023. … Are You There God? … The BlackeningRelease Date: June 16, 2023.
Pluto TV is an ad-supported streaming service run by Paramount. It’s free, legal, and packed with thousands of free movies. Pluto TV works in two ways, as both an on-demand movie streaming website where you can pick from a list of films, and a live TV service that lets you watch movies and TV shows as they become available. No user account is necessary, and you can even still build a watch list without ever entering your email or name.MovieStars is another place to watch full-length movies online free without signing up. It has an interface and features that are similar to that of Moviesjoy but it is a little weak in the content providing. The video quality also does not reach the real FHD as the site claims.

Streaming movies online for free is illegal in most countries and most of these sites are not accessible in such countries. Before you start streaming online, make sure you install a VPN and keep yourself safe.

Disclaimer: Outlook India does not vouch, endorse, or guarantee any of the above content, nor is it liable for any claims arising thereof, Outlook India doesn’t encourage/ promote piracy by any means. The links given here are not taking the users to pirated streaming contents. In case of any dispute or clarification please feel free to write to the content owner at [email protected]Soap2Day is primarily a place for TV shows. But it also exhibits a big collection of quality movies, from the box-office success to the niche titles. You can explore the Movies, TV Series, and Sports sections and use the filter to find your desired content. Then you can free stream it without logging in or registering. Note that there might be a few ads on the videoplayer page.

AZMovies is the ideal site to watch movies in absolute HD quality because that is what it offers. In addition to this, it features a rich resource of box-office movies as well as lesser-known independent films. You can search and watch free movies no sign up on this site without limit. In all, it is a trusted place to go to.Ymovies se has simplified its home page to a mere video search engine plus some trending tags, which is direct and convenient for people already having a name in their minds. If you can’t get used to the new page, you could always click to use the old homepage to browse the content at any time. It does not have a vast movie resource, yet it is sufficient for the general public. And you can freely access these content without limits.

FlixTor isn’t safe to use. It’s content is pirated and the website has malware. It remains popular because you can stream the latest movies. There are a number of different FlixTor sites on the web and there’s no way to know if they are run by the same people.

MoviesJoy is a popular IPTV website that offers free online movie streaming links to its users. An enormous collection of movies and tv shows divided into relevant categories makes MoviesJoy an exciting option for its users. Besides that, an unmatched mobile and desktop experience makes MoviesJoy perfect for streaming on the go.YesMovies lets you watch movies online free without signing up as well. It features an awesome library of movie content. Besides English movies, there are films produced by other countries as well. And you can easily find what you want through its advanced navigation system. With trailers and sneak peeks of unreleased movies and shows, the YesMovies website provides you with a holistic movie streaming experience. Despite a few pop-ups that you may come across now and then, it is a great option for diving right into the movie streaming world.That’s all the 21 free movie streaming sites no sign up I found are safe and good to use. Hope you would have a great time exploring these sites. Thanks for reading! There are many websites like Putlocker, Losmovies, solarmovies, 123movies, etc., where you can watch movies for free. However, you may have to deal with pesky ads on some sites.5Movies makes another great online streaming site to watch full-length free movies without registration. It resembles Yes!Movies in its outlook and playing features. It can be regarded as a Yes!Movies alternative. To watch movie on LookMovie, you must prepare to accept the fact that you can’t meet the latest released movies here. But it compensates you with the supreme video quality. Also, you can find popular TV shows here. Also an ad-supported streaming service, Popcornflix offers free legal streaming videos of feature-length movies and webisodes. Compared with the previous two platforms, PopcornFlix boasts more major motion pictures and blockbusters. You can access these content on almost any device, including Roku, Amazon Fire TV, Android, iOS phones, etc., without signing up or subscription.Are you searching for the best free online streaming sites to catch your favorite movies? Don’t sleep on the following 21 sites I gathered for you. we list the best free streaming websites that you can use to safely watch your favorite movies and TV shows online.

Soloarmovie sc is also a great site that requires no sign up to watch movies online free. It has a big media database that covers not only the newly released movie but also the remote ones. You can search your preferred movie by genre, country, and year and playback it fluently. The videos on the site are prepared with multiple servers (CC is available for some servers) at the best quality possible.
Tubi is an ad-supported video streaming platform where you can watch many classic movies and TV shows produced by Paramount, Lionsgate, MGM, and more without signing up. It’s got movies for every mood, including thriller, comedy, drama, musical, documentary, and so on. There is even a Tubi Kids section where the movie content is suitable for the whole family to watch. Yet, the best thing is that you can enjoy all these movies in HD quality completely free of charge.Putlocker is perfect in terms of streaming quality, availability, and content library once you deal with all the ads and pop-ups with the help of an ad blocker. This is probably one of the longest-running movie streaming websites as of now. Despite this, the design and streaming quality of the website are on par with some of the modern service providers.

Vumoo is an amazing platform to watch new release movies online free without signing up. It also has an up-to-the-mark TV series list with easy access. Yet, one inconvenience of Vumoo is that it does not have a mature navigation system, and you have to find your desired content by searching only.

How many drive in movie theaters are in Texas?
The Answer Is 20 Drive-In Movie Theaters Are Still In Operation In Texas. You can find most of the last remaining drive-ins on the outskirts of most of the major cities in Texas: Dallas, Austin, Houston.
When you visit their website, you will see that they have a pretty simple layout when it comes to their homepage, where they only have a search bar and a category option. You might need to press the ‘play’ button more than once before the streaming starts, but this isn’t always going to be the case. We believe that when it comes to their movies, they have a pretty impressive list, and we believe that in general, their streaming is high quality.

Keeping in mind the overall streaming experience, availability, and frequency of ads/pop-ups, Ymovies can be considered the best movie streaming website.

The killing of girl student by her classmate inside a prestigious college in Greater Noida shows the apathy of the system in addressing gender-based violence
There are dozens of genres and collections to pick from, even fun and unique ones like Only Free on Tubi, Black Cinema, Movie Night, Cult Classics, K-Drama+, and Bollywood Dreams. We also particularly like the Leaving Soon and Trending Now sections.PopcornFlix is another movie streaming site besides Crackle with an excellent mobile app. A highly compatible app, unique video player, and intuitive user interface make Popcornflix worth it. Despite all these positives, the poor streaming quality and a lack of a subtitle toggle option is the reason why it is at the end of our list.Pluto TV is another platform owned and operated legally by a major broadcaster. It’s part of the ViacomCBS family and lets you watch the best movies and TV series from companies like MTV, Nickelodeon, and Comedy Central. It doesn’t have a subscription model, so you can only enjoy Pluto TV for free. The good thing is that it has very few ads. You will need to suffer the occasional break during your content, but there are no pop-ups and no banners.Freevee is an Amazon’s free movie streaming site. Previously accessible through IMDb (and formerly called IMDb TV), Amazon’s Prime Video website lets you browse Freevee by recently added, most popular, channel, genre, and more. The video player lets you turn on subtitles, adjust the way the captions show up on the screen, change the video quality, and go into full-screen mode. You can stream Amazon’s content from a variety of devices.

With enough options up its sleeve, LookMovie is the 12th website on our list of free movie streaming sites. In addition to HD content, you get multiple servers, a search tool, and a great interface on LookMovie. Just like other sites on our list, there is no need to register or share your credentials on this website, as you can start streaming right away.
Freevee’s catalog is not nearly as plump as other free services, but there are worthwhile shows and films, including Mad Men, the Fifty Shades series, and Schitt’s Creek. Freevee carries original titles such as Rowdy, Hotel for the Holidays, America’s Test Kitchen, and more. Some older titles are also available that were quite popular in their day.

No sign-up, no hassle! Soap2Day is an ideal website that offers seamless access to entertaining sitcoms and movies. Your preferences may vary every day, but with Soap2day, you get all forms of streaming links that you could wish for, and that too, free of charge. An all-time favorite website with a clean UI and all the latest movies for a premium streaming experience. The website also allows users to search for movies they like with the help of different filters available in the search menu.
Vumoo is another popular website for streaming movies for free. The best part about Vumoo is that it offers everything without sign-ups or payments that would obstruct your online streaming experience. You get unrestricted access to all the latest movies and sitcoms in a hassle-free manner. The detailed insights about the directors, runtime and movie ratings make up for the fact that there are limited search filters.123movies is the name that will come up in every list as you go online. With a collection of all the best movies and timeless classics, your online search for a site where you can watch movies and TV shows online for free will end at 123movies. There is no need to log in or pay for streaming. A seamless viewing experience makes this site popular among users and a worthy candidate on this list.

How can I see movies that are in theaters?
17 Best Website To Watch Movies In Theaters For Free In 20231 PopcornFlix. … 2 Viewster. … 3 Tubi TV. … 4 Top Documentary Films. … 5 Classic Cinema Online. … 6 5Movies. … 7 LookMovie. … 8 Vumoo.
Watching free movies online is a convenient and frugal way to see the films you love right from the comfort of your own home. Yes, there are plenty of sites where you can get movies “for free” but the ones listed below, although ad-supported, are clean from viruses and completely legal to use. With an in-depth content library of movies and tv shows, 5Movies is the next entry on our list of free movie streaming sites. In addition to all the basic features, 5Movies allows its users to share their movie experience directly on their social media accounts. Besides all this, you will be dealing with full-page ads and some broken streaming links as well. MoviesJoy is a place where you can find many new movies as well as flicks from the last century easily. No matter what kind of movie you decided to watch, you can stream it on MoviesJoy for free without signing up. However, it do place ads on its site. So an ad-blocker is suggested when browsing through the site.

Fmovies is among the best sites to watch free movies without signing up. You can find all types of movies here (it probably has the biggest movie library). You can filter out your desired movies by genre, year, country, type, quality, and even subtitles. And you can continue to sort the results by recently added, most-watched, name, IMDB, and release date. All the content can be streamed in HD quality. The biggest problem comes yet with ads. You’ll need an advanced ad-blocker to block the ads from this site effectively.
The difference between a multiplex and a megaplex is related to the number of screens, but the dividing line is not well-defined. Some say that 16 screens and stadium seating make a megaplex, while others say that at least 24 screens are required. Megaplex theaters may have stadium seating or normal seating, and may have other amenities often not found at smaller movie theaters; multiplex theatres often feature regular seating.

The largest megaplex in the Southern Hemisphere is the 26-screen Marion MEGAPLEX in Adelaide, South Australia. The megaplex was originally a 30-screen megaplex branded as Greater Union but was modified to accommodate Gold Class and V-Max screens and was re-branded as Event Cinemas. The auditoriums sit on top of Westfield Marion, which is the largest shopping complex in Adelaide.
The Kinepolis-Madrid Ciudad de la Imagen megaplex in Spain is the largest movie theater in the world, with 25 screens and a seating capacity of 9,200, including one 996-seat auditorium.CGV Cinemas San Francisco 14, is a 14-auditorium movie theater multiplex in a former eight-story Cadillac dealership building on Van Ness Avenue at O’Farrell Street. It opened on 10 July 1998, as the AMC 1000 Van Ness with 3,146 seats listed.In December 1947 Nat Taylor, the operator of the Elgin Theatre in Ottawa, Canada, opened a smaller second theater (“Little Elgin”) next door to his first theater. It was not until 1957, however, that Taylor decided to run different movies in each theater, when he became annoyed at having to replace films that were still making money with new releases. Taylor opened dual-screen theaters in 1962 in Place Ville Marie in Montreal, Quebec, and at Yorkdale Plaza in Toronto, Ontario, in 1964.

AMC Theatres has since built many megaplexes with up to 30 screens, starting with the AMC Ontario Mills 30, which was billed by AMC as the largest theater in the world when it opened on December 13, 1996. Three months after the AMC opened in Ontario, California, Edwards built their biggest theater across the street, the 22-screen Ontario Palace 22. If the two adjacent parking lots were counted as one, this meant Ontario had 52 screens on one parking lot, more than anywhere else in the United States. The construction of these two adjacent megaplexes in the Inland Empire was the culmination of a “bitter lifelong rivalry” between Durwood (who died in 1999) and Edwards (who died in 1997). Edwards was furious when he learned that Durwood had beat him to a deal with Ontario Mills, and later told Durwood, “I had to teach you a lesson”.
France’s largest movie theaters are: 27-screen UGC Ciné Cité Les Halles (3,913 seats) in Paris, 23-screen Kinépolis – Château du Cinéma in Lomme (7,286 seats), 22-screen UGC Ciné Cité Strasbourg (5,275 seats) and 20-screen MK2 Bibliothèque in Paris (3,500 seats).

What is the biggest theater in Texas?
Bullock Museum IMAX® Theatre.
During the 1980s and 1990s, AMC Theatres was at the forefront of a massive boom in multiplex and megaplex construction across the United States. From 1988 to 2000, the number of screens in the United States exploded from roughly 23,000 to 37,000. By the end of 1997, the United States was home to 149 megaplexes with over 2,800 screens. The newer venues, especially the megaplexes, often wiped out smaller theaters and led to market consolidation. Aging single-screen movie palaces in congested downtown areas simply could not compete against the new suburban megaplexes with their profusion of convenient choices (in terms of films and showtimes), gigantic screens, stadium seating (a Durwood idea), armrest cup holders (another Durwood idea), video arcades, spacious parking lots, and state-of-the-art projection and surround sound technology. In some areas, “megaplexes became not just another option for moviegoers, but soon the only one, having driven all other theaters out of business”. From 1995 to 2004, the total number of theaters in the United States fell from 7,151 to 5,629.

Where can I watch movies for free?
Read on to explore all the relevant details of these free online movie streaming websites.123Movies. 123movies is the name that will come up in every list as you go online. … Yes!Movies. YesMovies lets you watch movies online free without signing up as well. … MovieStars. … LosMovies. … Soap2Day. … Fmovies. … Vumoo. … Solarmovie.
Multiplexes (multicines) are very popular in Spain and they can be found in or close to most cities, displacing the traditional single-screen theaters. Many middle-sized and large cities have several of them, and they are also common in malls. The average number of screens per theater was 5.2 in 2016.In the Netherlands there weren’t many multiplexes until the millennial change. In April 2000 Pathé ArenA opened its doors in the ArenAPoort area in Amsterdam. It is the largest multiplex in the Netherlands and features 14 screens and 3250 seats in total. Nowadays a lot of other multiplexes are being set up, but so far none of them have surpassed Pathé ArenA’s capacity. Europes’s tallest cinema multiplex is the Cineworld Glasgow Renfrew Street in Glasgow, Scotland, United Kingdom at 203 feet. Opened in 2001, it has 18 screens and seats 4,300 people. In 1985, AMC Cinemas opened a ten-screen cinema at The Point in Milton Keynes. This was AMC’s first multiplex outside of the United States and saw a turnaround in the decline of the UK cinema industry. Cannon followed it with an eight-screen cinema in Salford Quays in 1986. The success of the cinema at Milton Keynes led to further expansion by AMC in the UK to the MetroCentre in Gateshead and then to Dudley, Telford, Warrington and by royal appointment to London, before it eventually sold its UK division to a joint venture which it had formed with United Artists and Cinema International Corporation, which later became UCI Cinemas in 1989. By the end of 1992, the 5 major exhibitors (UCI, MGM, Warner, National Amusements and Odeon Cinemas) had built 525 multiplex screens in the last eight years in the UK, with cinema admissions increasing from an all-time low of 54 million in 1984 to over 100 million. The increase in multiplexes led to 77% of the UK’s screens being owned by the 5 major exhibitors. The increase in multiplexes around the country also reduced the importance of London from a revenue standpoint. Non-multiplex cinemas are now rare in the UK. In July 2000, Star City, Birmingham opened with a 30-screen Warner Village Cinemas (now a 25-screen Vue Cinemas with 5,079 seats), at the time the largest cinema in Europe.The boom in new screens in the U.S. in the late 1990s and early 2000s led to multiple changes to Hollywood’s distribution model. During the 1990s, American film studios experimented with distributing quirky indie films and art films to megaplexes which would have had a much harder time finding a broad theatrical audience in earlier eras, such as the 1999 hit Being John Malkovich. However, after the turn of the 21st century, as multiplex and megaplex owners came to realize they could screen large-budget blockbuster films all day by staggering showtimes across multiple screens, movie studios jumped onto the blockbuster bandwagon and shifted their film slates towards blockbuster films based on existing media franchises.

By 1994, building of multiplexes with 14-24 screens with 2,500 to 3,500 seats was the norm. The expansion of multiplexes also concentrated the market with the top ten exhibitors controlling 47% of the nation’s screens compared to 27% in 1986. The AMC Grand 24 opened in Dallas, Texas, on May 19, 1995, as the first 24-screen megaplex built from the ground up in the United States and the largest theater complex in the U.S. A 21-screen Edwards Theater opened at the Irvine Spectrum Center in Irvine, California, the same year. After a lease renewal dispute with the property owner, the AMC Grand 24 closed in November 2010. The building has been divided and reopened in 2012 as a Toby Keith–owned nightclub and a 14-screen first-run movie theater operated by Southern Theatres as the “AmStar 14”. This theatre is now the Studio Movie Grill Northwest Highway as of 2013.Opening in April 1979, the 18-screen Cineplex, co-founded by Nat Taylor in Toronto’s Eaton Centre, became the world’s largest multitheatre complex under one roof. It was expanded to 21 screens by at least 1981. In 1937 James Edwards twinned his Alhambra Theater in the Los Angeles area by converting an adjacent storefront into a second “annex” screen. While both screens would show the same feature movie, one would also offer a double bill. It did not convert to showing different movies on both screens until some time after Nat Taylor (see below). On February 25, 1940, the Patricia Theater in Aiken, South Carolina made news by becoming what is believed to be the first two-screen theater in the United States showing different movies when operator H. Bert Ram added a screen to an adjoining building and shared a common box office. The main screen remained the Patricia Theatre and the Patricia Annex became known as the Little Patricia. In India, the mushrooming of multiplexes started since the mid-1990s. Cinema chains such as Kantishiva Multiplex, INOX, PVR, Carnival Cinemas, SPI Cinemas,Asian Cinemas, Cinepolis and Big Cinemas operate multiplexes across the country. The largest multiplex in India is the 16-screen multiplex Mayajaal in Chennai.

In November 1988, Kinepolis Brussels, was opened by Kinepolis, the European chain, with 25 screens and 7,600 seats, and is often credited as being the first “megaplex”.
In 1915, exhibitor Charles Porter opened the Duplex Theatre in Detroit, Michigan, the first known instance of a dual-auditorium movie theater. It had twin 750-seat auditoriums in a single building, sharing a common box office and entrance. The Duplex Theatre’s history is poorly documented and it is unknown why Porter built his theater that way, though it was apparently a bit too advanced for its time. It closed in 1922.In about 1915 two adjacent theatres in Moncton, New Brunswick, under the same ownership were converted to share a single entrance on Main Street. After patrons entered the door, there were separate ticket booths for each theatre, and different programs were shown. The arrangement was so unusual that it was featured by Robert Ripley in his Believe It or Not! comic strip. Before multiplexes, some cinemas did show different films at the same time in one auditorium, such as in Cairo, Egypt, reported in 1926.Multiplexes and megaplexes supposedly have two major advantages over traditional single-screen movie theaters: they can share common infrastructure and staff across multiple auditoriums, and variations in auditorium size enable them to better match capacity to demand. However, movie theater operators eventually discovered the problem with stadium-size movie theaters is that they share the same flawed business model as stadiums: high fixed operating costs, combined with the fact that very few films in any given year can actually fill all those seats (average occupancy is around 10-15%). Nearly all major U.S. movie theater companies ultimately went bankrupt as a result of this hasty development process. Among the few that were able to avoid bankruptcy were AMC Theatres and Cinemark Theatres.

In December 1988, Studio 28 in Grand Rapids, Michigan, expanded from 12 to 20 screens with a seating capacity of 6,000. Studio 28 closed in November 2008.
Greece’ s largest multiplex is Village Rentis, that features 18 mainstream screens, two comfort (special type of a mainstream screen, better seating and less auditorium), three RealD 3D screens and one summer screen. In total it features 21 screens.

Where is the biggest movie theater?
The Kinepolis-Madrid Ciudad de la Imagen megaplex in Spain is the largest movie theater in the world, with 25 screens and a seating capacity of 9,200, including one 996-seat auditorium.
As noted above, the world’s first multiplex, the Regal Twins, opened in Manchester in 1930. The first triplex in the UK was the ABC Cinema in Lothian Road, Edinburgh which opened 29 November 1969. The Regal Twins were converted in 1972 to a five screen complex (Studios 1 to 5) by Star Group, as the first five-cinema complex in Britain.

The Kinepolis-Madrid Ciudad de la Imagen megaplex has been the largest movie theater in the world since 1998, with 25 screens and a seating capacity of 9,200 including a 996-seat auditorium. Kinepolis-Valencia, built in 2001, boasts 24 screens and 8,000 seats.In 1982, the 14-screen Cineplex in the Beverly Center Mall in West Hollywood, California, became the country’s largest upon opening. The Beverly Center Cinemas closed in June 2010.

Also in late 1947, but in Havana, Cuba, the Duplex movie theater was built to share the vestibule and ancillary facilities with the previously existing Rex Cinema (open since 1938); they were both designed by the same architect, Luis Bonich. The programming was coordinated, so that one of them showed documentary and news reels. while the other was showing feature films. They were in use at least until the 1990s.
The first multiplex in Japan was built by Warner Bros. in 1993 but the multiplexes were outside Japan’s nine largest cities until Shochiku built Cinema World to the west of Tokyo in 1995. By 2000, multiplexes accounted for 44% of the market with the number of screens in Japan increasing rapidly from less than 2,000 in 1998 to nearly 3,000 in 2001. The expansion in screens and multiplexes also reduced the reliance on the grosses from the nine key cities, with over half of a film’s Japanese gross now coming from outside those markets.Kinepolis Brussels, the first cinema to carry the Kinepolis brand, was the biggest and a pioneer in the megaplex industry when it opened in 1988. It introduced various innovations in visual, audio and conceptual aspects of cinema, such as hosting guests and special events. It now has 28 screens and 6270 seats.

In 1965 Martin’s Westgate Cinemas became one of the first indoor two-screen theaters in Atlanta, Georgia. Located in East Point, Georgia, it was later converted into a three-screen venue after a fire partially destroyed one of the theaters. The Disney family film Those Calloways had its world premiere at the Westgate, the only film to have been so honored at that theater.On 17 September 1998, the world’s largest cinema multiplex, Kinepolis Madrid, opened in Spain, with 25 screens and 9,200 seats, each seating between 211 and 996 people.

In 1965, the first triplex was opened in Burnaby, Canada by Taylor Twentieth Century Theaters. AMC followed up on the Parkway Twin with a four-screen theater in Kansas City, the Metro Plaza, in 1966 and a six-screen theater in 1969. Durwood’s insight was that one box office and one concession stand could easily serve two (or more) attached auditoriums. Another AMC innovation was to offset the starting times of films, so that staff members who previously had downtime while films were playing at a single-auditorium theater would now be kept continuously busy servicing other auditoriums. Over the next two decades, AMC Theatres under Durwood’s leadership continued to innovate as it built one multiplex after another with more screens and more spacious auditoriums across the United States. According to Melnick and Fuchs, although Durwood was technically not the first person to build a multi-auditorium movie theater, he was “the man perhaps most responsible for driving the industry into ‘splitsville'”.
In the United States, only 10% of the 16,712 indoor movie theaters in 1981 had more than one screen, with 80% of the 10% only having two screens. The largest had 7 screens.On December 13, 1996, AMC Ontario Mills 30, a 30-screen theater, opened in Ontario, California, and became the theater with the most screens in the world. This was eventually tied by other AMC 30-screen theaters.

In 1963 AMC Theatres opened the two-screen Parkway Twin at the Ward Parkway Shopping Center in Kansas City, a concept which company president Stanley Durwood later claimed to have come up with in 1962, realizing he could double the revenue of a single theater “by adding a second screen and still operate with the same size staff”. Also, the shopping center structure where the Parkway was located could not support a large theater, so two small theaters were built to avoid that issue, and at first both theaters played the same film.
Cineplex joined with Universal Studios to build an 18-screen multiplex in Universal City, California (now part of Universal CityWalk Hollywood), which opened July 4, 1987.A multiplex is a movie theater complex with multiple screens within a single complex. They are usually housed in a specially designed building. Sometimes, an existing venue undergoes a renovation where the existing auditoriums are split into smaller ones, or more auditoriums are added in an extension or expansion of the building. The largest of these complexes can sit thousands of people and are sometimes referred to as a megaplex.

Canada’s largest movie theaters over the years have been located in Toronto. As mentioned above the 18- (later 21-) screen Cineplex was the movie theater with the most screens in the world until the late 1980s, but remained the largest movie theater in Canada until it was closed at the turn of the 21st century. In 1998, AMC expanded to Canada, building large movie theatres with as many as 24 screens before opening a 30-plex there in 1999, which is the AMC Interchange 30. Then in 2008, the 24-screen AMC Yonge Dundas 24, adjacent to the Eaton Centre, was completed. Cineplex Entertainment purchased the theater in 2012, along with several other Canadian AMC megaplexes, bringing the company full circle. After that, some more were closed or sold to Empire Theatres. AMC exited Canada by closing the AMC Interchange 30 in 2014.
The question of who was the inventor of the multiplex is “one of the longest-running debates in movie theater history.” In a 2004 book, Ross Melnick and Andreas Fuchs identified five leading candidates: James Edwards, Sumner Redstone, Stanley Durwood, Charles Porter, and Nat Taylor.From Business: Carmike Cinemas, Inc. is a premiere motion picture exhibitor in the United States with 283 theaters and 2,427 screens in 37 states, as of March 31, 2007.…

What is the highest quality movie theater?
Most of the IMAX experiences you see are simply branded IMAX films (more on that later). A true, legit IMAX theater has the ceiling to floor screen with an aspect ratio of ~1.4:1, which is far more square than your normal theater. They also have stellar sound that’s routinely calibrated by IMAX.
We found 5 results for Cinema in or near Longview, TX.They also appear in other related business categories including 1 of the rated businesses has 4+ star ratings.

The people search feature on is temporarily unavailable. You can still search for people on since Yellow Pages and Superpages are part of one company.
SuperPages – helps you find the right local businesses to meet your specific needs. Search results are sorted by a combination of factors to give you a set of choices in response to your search criteria. These factors are similar to those you might use to determine which business to select from a local SuperPages directory, including proximity to where you are searching, expertise in the specific services or products you need, and comprehensive business information to help evaluate a business’s suitability for you. SuperPages advertisers receive higher placement in the default ordering of search results and may appear in sponsored listings on the top, side, or bottom of the search results page.Going to the movie theaters isn’t actually getting any easier. Well, it is in some ways. AMC and Cinemark have their own subscription services and Regal is experimenting with some pricing shifts, so it is easier to get a ticket and go more often. However, there are now a crap ton of options for how to view each film and its tough to know which one to choose and why in the hell you’re paying upwards of $30 for a single movie ticket.OK, now we’re going to get a little complicated. See, around 2008 IMAX decided that it wanted to make some more money and thanks to digital projectors it could. The company basically started to sell the brand to theater chains using their new digital projector technology and proprietary sound system. This led to upgraded theaters with large screens and impressive sound, but they weren’t actually IMAX theaters as we’d come to know them, partly because the digital projectors couldn’t keep the traditional IMAX ratio. These digital theaters are still the majority of IMAX screens that you find in chains, and also screen IMAX 3D movies.

We’ll have to break this up into two experiences. First, 4K with Laser is legit as all hell with only those who have a love for film able to complain about it. The picture is as crisp as the film version with only that slight digital feel to let you know you’re not watching film. For most folks, that’s not a big issue. It lives up to the hype. What doesn’t always is the theater you’ll be seated in. Like with the film IMAX many theaters can be dated since museums aren’t always looking to renovate.
The OG of specialty cinematic experiences, it still doesn’t get any better than this. 70mm film is, well, film, for one thing. The picture is crisper and more striking than even the best digital can grab, and there’s a reason the best director working, Christopher Nolan, shoots his epic films with it, and then forces an entire industry to capitulate to his screening rules to the point that they need to release explanatory documentation. It is simply breathtaking in its visual quality. Originally used solely for epic films that needed a grandeur and fidelity that 35mm couldn’t offer, it’s use is even more limited now. Sadly, most theater chains are strictly digital now so you can’t just go out and see a 70mm film anywhere. Art houses and science museums are keeping it alive, while “branded” IMAX cinemas do their best to replicate it in digital.So here’s a quick run down of all your options at the three largest North American movie chains: AMC, Regal, and Cinemark. We’re keeping it at these three because that’s where most Americans see their movies, though many of the experiences we’re discussing are actually on offer outside of these companies.

D-BOX is another brand like IMAX. They sell their moving seat technology to theaters who then brand the theater as a D-BOX theater. Both AMC and Cinemark theaters have D-Box seats (one would assume Regal does not because they have 4DX). D-BOX is “only” a moving seat, meaning you’re just getting movement and vibrations out of it as the movie plays. The seats are slightly bigger than your standard theater seat and offer a bit more padding. Oddly, there are D-BOX equipped theaters where only a few rows are D-BOX seats and the rest are normal. There’s no upgrade in sound here.
Yea, that true black is actually true black. There’s no grey-ish tinge to the screen when black is shown and it’s really quite a nice view. They do this little comparison thing that shows the “old” cinema versus Dolby Cinema and it’s striking. It is probably a pretty doctored comparison but it still looks great. The sound is amazing too, but the crank it up to 11 so if you don’t like your seat literally shaking from explosions this one might not be for you. The recliners are nice but their controls are a little awkward.

Cinemark XD is Cinemark’s premium theater offering, which comes replete with THX certification on their 11.1 channel surround sound speakers. Why they don’t advertise that fact by calling it Cinemark THX is beyond me, since the THX name holds so much clout with audiophiles, but they don’t. They’re actually the only chain with THX certification in their premium theaters, which should count for something. Cinemark claims their state-of-the-art projectors can deliver 35 trillion colors on a ceiling-to-floor theater screen. Seat quality varies, but they’re all upgraded. You’ll either be sitting in Cinemark’s “Luxury Loungers” or nicer traditional movie seats.
This one really depends on the theater. Since RealD 3D has been around so long now and they only control the projector, not the sound or seating, you can be in some really stale theaters. The picture quality is on par with most digital projectors but, you know, in 3D. The experience can also vary wildly depending on how good a job the post-conversion into 3D was done. This was more of a problem in the past when they were forcing non-3D films into 3D but there are still movies that look worse because they’re forced onto 3D. When a film is shot for 3D and directed for 3D it can be magical on the big screen.Then in 2012 IMAX released their new 4K IMAX with Laser projectors, which use dual projectors to successfully mimic the traditional IMAX proportions of 1.4:1. They also offer a cleaner, crisper image than the digital projectors that’s more in line with a traditional film IMAX’s picture. All this is to say that IMAX branded theaters are not actually IMAX theaters, but they still offer superior sound and visuals to your standard theater. Depending on your theater the IMAX screen may have reclinable seats, but it is not a given.Seeing a film in 70mm easily lives up to the hype. If you ever get a chance to screen something like Laurence of Arabia on an original 70mm print pay whatever it takes to do so. Most theaters projecting in 70mm care enough about the sound that that shouldn’t be an issue, and while you won’t get the luxury seating most of the time your eyes are going to be to happy anyway to care.

It’s a ride: the seats actually lift and move just like a ride at an amusement park, there are little fans blowing wind on you from below the seat and behind your head, there’s shaking, the strobe lights flash every so often, and water squirts out at you if there’s a need. You can turn the water off, by the way, but overall imagine that… for two or more hours. Here’s the thing, those rides at Disneyworld are at tops 30 minutes. Two hours of movement and shaking is 90 minutes too much even if the seats are only really moving during the action sequences. It’s fun to try this once but repeated screenings seem pointless.
It is an obvious upgrade from your standard theater. The screen and images are dark and crisp, and the sound system is stronger than your standard theater. Then there’s AMC’s leather chairs, which are legit comfy AF. Definitely worth the uptick in price if you’re seeing a movie that warrants big sound and crisp pictures.A real IMAX experience is pretty moving — literally. The screen is so large and you sit so close it encompasses nearly all of your visual space, meaning your body can be tricked into thinking your moving by your eyes. The effect is greater in films shot specifically for IMAX that have a lot of motion in them, but you can get it any time. Visually, it’s as crisp and clear as 70mm film, just a crap ton bigger. If you’ve seen any of Christopher Nolan’s films in IMAX you can instantly see the difference from when they used standard film to shoot one scene and then it switches over to IMAX. It’s truly a riveting experience, though theaters can range from fancy and new to horribly dated.

There are currently four VOID “experiences” in existence: Ralph Breaks VR, Star Wars: Secrets of the Empire, Nicodemus: Demon of Evanishment, and Ghostbusters.
Movie theaters are having to come up with new ways to get everyone into them. With home theaters and streaming platforms eating into their profits more and more there has to be a reason you come to the theater. And so the rebuilding began. If you live anywhere near a metropolitan area the chances are you live near a plethora of movie theaters that have been renovated in the last five years. These renovations delivered newly branded theater experiences. Better pictures, sound, and seating are all included in this, but there are now multiple ways to watch every movie out there and it can be a bit confusing to decide what’s the best choice.Now we’re going to start getting weird. Theaters are beginning to branch out into odd realms and changing exactly what a theater experience is. The first we’re tackling is 4DX, which is basically an amusement park ride where the seats move but you’re watching an action movie. 4DX theaters feature moving seats, fans, flashing lights, water sprays, and a host of other things that turn the movie into something more akin to a Disney ride, which is kind of appropriate considering the stranglehold Disney has on popular cinema at the moment. The theaters feature upgraded sound systems as well. This stuff is so interactive that they literally have a contract you’re agreeing to by buying the ticket. It is definitely a revolution in movies but it isn’t clear if its a revolution people actually want.

If branding is consistent on Regal’s full list of movie theaters there are currently 104 theaters that feature RPX screens in the US. You can find them by heading to Regal’s theater page and doing a search for RPX.
All three major chains feature IMAX screens now, but knowing if they’re 4K with Laser or basic digital can be tough to track down. Most theater chain’s screens, however, are basic digital IMAX. If you’re looking for 4K with Laser projectors they’re usually in specialty theaters and museums. Most newer IMAX screens that aren’t Digital IMAX now use the 4K with Laser projectors, not IMAX film, and even some of the older IMAX theaters are converting over now. ScreenX is the answer to the question every kid has ever asked: What if I put three TVs next to each other and somehow made one movie show on them. ScreenX is a brand (coming from the same South Korean company that created 4DX), but Regal cinemas has the most in the US, and immerses audiences in a movie by extending the around them to the side of the theater. It’s a bit hard to describe in words but you can watch this video to get an idea of what’s going on. Some movies are actually shot for ScreenX but more common is simply a film shown stretched across the three screens. The format has been gaining speed over the years, and where it used to be relegated to concerts and foreign films you can now find a pretty regular stream of Hollywood blockbusters being shown in ScreenX theaters. The sound system and seating aren’t especially promoted by Regal but any ScreenX theater is pretty modern and should have decent seating and sound too. AMC is all over the place with branded theater experiences so they don’t just stop at their PRIME offering. The next step up (or over) is Dolby Cinema at AMC, which is basically Dolby, the speaker system that a ton of theaters already use, trying to get in on the branded theater experience by partnering with AMC. The theaters emphasize sound quality and volume, since speakers are what Dolby is known for, but also feature exclusive recliners and an upgraded projector system. Dolby claims that the projectors show off a revolutionary amount of contrast and deliver true blacks like never before. The theaters also have a unique look to them with red lighting in the speakers that makes you feel like you’re walking into a spaceship or something (the lighting goes away during the film).

The Regal Premium Experience (RPX) is not only the first of Regal’s attempts to bring back the late-90s/early-00s trend of putting an X in everything to make it seem more extreme, but also their basic theater “experience” as well. Regal has less “experiences” than AMC so this is kind of also their only non-IMAX upgraded experience that doesn’t involve moving seats or some other gimmick. An RPX theater has upgraded picture that Regal brags about, but the real draw, the company says, is the uncompressed sound from the speakers. Most high-end theaters aren’t playing compressed sound, though, so I’m not sure that’s a true selling point over other theaters. Movies can be in 2D or 3D, which is a bonus, and Regal has reclinable chairs in some theaters, though they aren’t required in an RDX theater.Despite being around for nearly a decade D-BOX hasn’t really spread that far. It’s available at 11 Cinemark theaters, which you can search for here, and 11 AMC theaters, which you can find listed here. Since it’s a brand not associated with a specific chain you may also be able to find it at a smaller U.S. theater chain. Limited. If you’re not near a major city that features a plethora of museums or independent theaters dedicated to screening older films you’re going to have a lot of trouble finding one. Then again, almost nothing is filmed in 70mm anymore so hunting down a theater is only really necessary once every few years when a film releases in it. 4DX is growing pretty rapidly, and is most predominant in Regal theaters, with AMC and Cinemark not having any. In the past year Regal has added a bunch of them so from their initial launch of only a handful there are now 17 across the country. You can find them listed here. You can find a full list of 4DX theaters here.BigD theaters are mostly at old Carmike theaters, which have all been rebranded to AMC Classic theaters. There’s 30 theaters with them and you find a full list here.

Where is the most popular place to film?
1 Los Angeles, California Far and away the most popular location in the world for filming movies and television shows, Los Angeles has been the cultural center for the film industry since the Golden Age of Hollywood in the 1930s and 1940s.
IMAX, in its original state, was less of a theater experience and more an entire filmmaking process. IMAX film is massive — big screens, big film, big projectors — and special IMAX cameras have to be used to create it. Any child growing up in the 80s or 90s pretty much thought of IMAX as the big theaters in science museums where you could watch To Fly!, which seemed like the only IMAX movie there was for about a decade. Now, however, the format has become more popular with film makers thanks to digital technology. It’s still rare to find an actual IMAX theater, however. Most of the IMAX experiences you see are simply branded IMAX films (more on that later). A true, legit IMAX theater has the ceiling to floor screen with an aspect ratio of ~1.4:1, which is far more square than your normal theater. They also have stellar sound that’s routinely calibrated by IMAX. These theaters need a ton of space and it isn’t worth it for a chain to build one and so you still only see them in museums and specialty theaters.If you see a movie at a big chain in 3D it’s either RealD 3D or IMAX 3D. So RealD 3D is basically any movie that is screened in 3D in any theater. If you haven’t seen a modern 3D movie (because you missed all of cinema the last ten years), the technology has come a long way since red and blue glasses. It cane be an utterly amazing experience when a film is shot with the idea of being projected in 3D, but after the surge in popularity over the last ten years the trend seems to be waning. Directors have stopped shooting for 3D and production companies simply convert major films into 3D after the fact so they can up-charge on the ticket price. We won’t see 3D go anywhere, as it helps theaters and Hollywood make more movie off of ticket sales, but know that most filmmakers are not shooting a film with 3D in mind. Digital IMAX is not true IMAX, that just needs to be made clear. That being said, branded IMAX screens are still usually the biggest one in any theater and the picture quality is still the best I’ve seen out of a digital projector, and if a film was filmed using IMAX cameras it’s going to look brilliant on the screen. Definitely worth it for the extra ticket cost. Given the immense amount of reconstruction needed to build a ScreenX theater and the fact that most movies aren’t developed for it there’s only a scattering of theaters in the US. Regal has 12 theaters with the technology right now. You can find them listed here. You can also find a list of all ScreenX theaters here.

A bottomless pit unto which non-believers a flung to fall for all eternity as their soul is torn apart by the beings that live there… or a VR experience. This one is a bit of a cheat as it’s also a standalone VR experience, but Cinemark is investing in VR and has opened one in one of their theaters. As an example of how theaters and theater companies are adapting and changing it’s definitely the most obvious so we’re keeping it. What does it do? Basically, you head to a VOID location and you and some friends (or strangers) put on a big ol’ VR helmet and a VR vest and enter a room. The difference between this and VR at home is that the room you’re in is built for the VR so that you can walk around, touch a wall and it’s all reflected in the VR experience. The vest your wearing gives you feedback as well, and you may be carrying VR guns or blasters. There’s also actual wind effects and even smells.
This is AMC’s base-level upgraded theater “experience” that they launched themselves. That’s not to say it’s bad, but it’s upgrades aren’t the top of the line. There’s better digital projectors in PRIME theaters that have sharper images and colors, which are most likely what all digital projectors will be in the coming years. On top of that PRIME theaters have updated sound systems that, again, are just the next upgrade in theaters being renovated. Finally, PRIME theaters have AMC’s recliners in them, meaning you get to watch the movie in whatever state of reclining you’d like. We probably, however, won’t see too many more PRIME theaters being built as AMC’s partnership with Dolby (see below) has taken over most of their premium theater options.And another AMC premium “experience” enters the ring. It may seem weird to have three separate but kind of the same premium theater experiences on offer for viewers but this one is at AMC because of a merger. In 2016 AMC bought Carmike theaters and subsequently inherited their BigD theaters, thus a third premium offering but it’s not clear if this one is going to expand any further. The theaters feature floor-to-ceiling and wall-to-wall screens with massive sound systems. The projectors in these theaters are top of the line and offer large format films in insanely crisp HD. The audio system is “supported by quad-amplified speakers and subwoofers” — whatever the hell that means. BigD theaters feature “deluxe” seating, which means poofier chairs, but not recliners. While The VOID is a Disney-backed company in and of itself, Cinemark is the only theater chain in the U.S. currently using the technology, or really pushing VR in general. They have one location in West Plano Texas. with plans to open more in the future if that is succesful (Cinemark also has a VR thing called SPACES planned). However, there are non-theater VOID locations as well. You can find them all listed here. These are on par with PRIME in our experience visually. While many of the newer theaters have reclinable seats its not a guarantee here as sometimes they simply converted older theaters with a new sound system and projector, which kind of stinks when the price is more. The sound is probably on par with the Dolby theaters, a cut above PRIME, but that might not be something you notice.

Where is the best place to watch movies in theaters?
For a standard movie theater with exit rows on the sides (as opposed to down the middle, as some older theaters have), the best spot is as close to dead center as you can get. “I’ve always felt the obvious best spot to sit in a movie theater is in the center of the room, center with the screen.
YP – The Real Yellow Pages – helps you find the right local businesses to meet your specific needs. Search results are sorted by a combination of factors to give you a set of choices in response to your search criteria. These factors are similar to those you might use to determine which business to select from a local Yellow Pages directory, including proximity to where you are searching, expertise in the specific services or products you need, and comprehensive business information to help evaluate a business’s suitability for you. “Preferred” listings, or those with featured website buttons, indicate YP advertisers who directly provide information about their businesses to help consumers make more informed buying decisions. YP advertisers receive higher placement in the default ordering of search results and may appear in sponsored listings on the top, side, or bottom of the search results page. Jennifer Lawrence, why’ve you been holding out on us with your comedic talents? The absolute crime that Lawrence has not filled up her IMDb with more big screen comedies is the definitive takeaway from her work in the bawdy but heartfelt comedy No Hard Feelings. As the star and producer, Lawrence not only sells, but carries the film’s silly premise way beyond the sophomoric surface into a far more interesting and resonant space. No Hard Feelings may be marketed as just a raunchy, 2000s-era throwback comedy, but Lawrence and her co-star, Andrew Barth Feldman, elevate it into something more. Without options, Maddie (Lawrence) responds to a Craigslist ad placed by wealthy summer residents looking for a 20-something to “date” their painfully shy 19-year-old son Percy (Feldman) before he departs for Princeton in the fall. While Lawrence’s dirty girl schtick and Feldman’s initially appalled reactions are very funny, No Hard Feelings really soars when writers Gene Stupnitsky (who also directs) and John Phillips get past the over-the-top set-up and let the pair confide in one another about their common brokenness. Maddie’s anger and the reason for her brittle nature is gently exposed by the kind and romantic Percy. They disarm one another, and challenge each other to see themselves in new ways. It’s a little clichéd, but how the script and the actors tackle it is fresh and genuine. In particular, a scene that involves the rearrangement of Hall & Oates’ “Maneater” is a bit of movie magic that is thrilling to watch unfold. When it counts, No Hard Feelings sheds the jokes and finds a meaningful journey for these two emotional misfits that change each other’s lives.—Tara Bennett Filmmaker Peter Sohn again has his head in the clouds, this time with Elemental, another bold, impressive feat of technical animation prowess with an emotionally rich storyline that runs throughout. At its heart, Elemental is a cross-cultural love story, a tale of immigrant tenacity and struggle, and a movie about the challenges of cultural siloing and the responsibilities to respect the sacrifices of those that came before us. All this is heady stuff in what is ostensibly characterized as children’s entertainment, but Pixar films have rarely shied away from more adult, or at least adolescent, concerns. Elemental owes much to the likes of Amélie with its wide-eyed sense of romance, but also more than a bit of Guess Who’s Coming to Dinner? and a dash of In The Heights—or even more tragic tales like the Shakespeare-redux West Side Story, where differing individuals react strongly to those outside their circle interacting, and star-crossed lovers must overcome the prejudices of those around them. Ember Lumen (Leah Lewis) is a hot-tempered resident of Fire Town. She works at her father’s store, where Bernie (Ronnie del Carmen) has spent years waiting for the day to pass it onto the new generation and keep the flame alive. He and his wife Cinder (Shila Ommi) immigrated, and her reticence to accept other elements has made her protective of her community and her daughter’s outlook. When a water element bureaucrat named Wade Ripple (Mamoudou Athie) unexpectedly enters Ember’s life, things truly start to boil as the two of them are forced to cooperate to solve an existential issue for Fire Town. Along the way they are drawn closer despite their obvious differences and encounter other, more earthy and airy characters, with each contributing their own aspect to the greater community. Elemental may not rise to the heights that Up soared to, but the ingredients of Elemental combine in ways that are both satisfying and even moving. Elemental manages to build its own path, employing a predictable yet satisfying story structure and subtle yet spectacular character animation to bring this latest tale to life.—Jason Gorber

In a world where horror movies still kill “The Black Character” first, Tim Story’s The Blackening is due satirical justice. Where Scary Movie or A Haunted House type parodies have taken their swipes at exclusive racial tropes prevalent throughout horror history, The Blackening makes a more substantial mockery of the genre’s cultural omissions. Girls Trip writer Tracy Oliver and co-writer/actor Dewayne Perkins centralize Black storytelling, inherently lashing back against the whitewashed horror blueprints audiences once recognized as canon, subverting the slasher prototype with nothing but the Black experience. It’s better as a comedy than as a wickedly sharpened thriller, making The Blackening one of those surefire “see it with a crowd” pleasers. There’s a little bit of everything in The Blackening. A group of college friends reunites 10 years later to recreate an epic Juneteenth celebration, meeting at your standard horror-grade cabin in the woods. Scream influences the structure, You’re Next the villains, Beyond the Gates the conflict—the list goes on. A group including Lisa (Antoinette Robertson), Nnamdi (Sinqua Walls), Shanika (X Mayo) and more have their horror movie knowledge tested by a crazed killer, bringing a Saw element into the fray in addition to Ghostface’s phone quizzes. That’s what happens after the characters open a tabletop game titled The Blackening (searingly dubbed “Jim Crow Monopoly”), forced to survive a deadly contest targeting their Blackness. The Blackening is a comedy-first horror-comedy, which makes sense from the director of releases such as Barbershop and Ride Along. It’s hard to be as enthusiastic about the film’s horror counterbalance. There’s a desire always to make that extra joke, which takes away from the razor-sharp suspense of horror-comedies like Cabin in the Woods or The Return of the Living Dead. So much of The Blackening is knockout horror-comedy gold, like in-movie reactions to the obscenely racist board game design, which makes its latter dullness a minor frustration. It’s a crowd-slaying comedy that skewers the horror genre over a spit with an injection of Black commentary that’s authentically unafraid to push the needle.—Matt Donato
That said, things in theatrical distribution are a little strange right now, so apart from some big recent blockbusters, there’s a mix of Oscar-winners, lingering releases, indies and classics booked—depending, of course, on the theater. But thankfully, there’s been enough good movies actually released recently this year that you should have no problem finding something great to watch.A new year and a new COVID variant are in full swing, so now might be a good time to exercise restraint even if there are bigger budget offerings hitting the big screen.

Even in its original short story form, appearing in his first collection Night Shift in 1978, Stephen King’s “The Boogeyman” retains a remarkably clever narrative scaffolding. In that version, the tale simply follows a disturbed man telling a therapist about the monster that killed all three of his children, then caps things off with a twist ending which cements our understanding that the monster is not just real, but still quite present. It sends a chill down your spine when you read the last line, but the real magic lies in the larger point of the story that lives in your brain long after you’ve closed the book: Fear never leaves. It just changes. The challenge of bringing this story to the big screen, therefore, was not to faithfully execute every beat of the original story’s plot, but to preserve that core idea—to keep intact the feeling that something was scuttling in the darkness of our world even after the credits rolled. It’s a challenge that’s more about tone than jump scares or monster designs, and while those elements are also present, the most impressive thing about The Boogeyman is how well that tone shines through. Even when you might want more from its plot, and even when it’s sticking to quiet character drama over all-out monster assaults, The Boogeyman thrives on the implied thing that’s lurking in every corner, which makes it a very effective, intimate creepshow. None of this works, of course, if the Boogeyman itself isn’t scary both on and off-screen, and director Rob Savage throws himself into accomplishing that particular mission right from the start. Savage, best-known for high-concept computer screen-heavy films like Host and Dashcam, thrives in the shadow-laden, textural creepiness of this film’s intimate setting. Working mostly within the confines of the Harper house, Savage uses swirling cameras, liberal shadows, and carefully placed props to make us wonder where the monster is at all times. With memorable performances, excellent horror craft and a title creature you won’t soon forget, The Boogeyman gives shape to our fears, and reminds us why it’s so hard to let them go, all while delivering a fun, creepy thrill ride.—Matthew Jackson
There is much to love about Matt Johnson’s BlackBerry, and then there is the ineffable gravitational pull of its furious white-hot core: A 40-something pale man’s bald pate, so smooth it seems forged by eons of tectonic movement, from which erupts perfect sleazy ‘80s-business-guy bon mots alloyed to unbridled sociopathic rage. Johnson’s always been at the heart of his films, starring in The Dirties and Operation Avalanche and serving as the source of most of the chaos steering Nirvanna the Band the Show, his series with Jay McCarrol, but in BlackBerry he plays Doug, some guy who technically doesn’t even exist. No, Doug is nothing in BlackBerry next to the movie’s everything, Glenn Howerton as Jim Balsillie, a vessel for the alarming voice of Canada’s most radioactive co-CEO. Lives inevitably wilt in his orbit. “I’m from Waterloo, where the VAM–PIRES hang out!” he hollers at a room of NHL executives, each syllable pronounced as if the sentence is punctuated by tombstones. Based on Losing the Signal: The Untold Story Behind the Extraordinary Rise and Spectacular Fall of BlackBerry, the film tells of the rise and fall of the pocket device company, from its exploited beginnings in the mid-’90s as the brainchild of the timid, always-inward-looking Mike Lazaridis (Jay Baruchel) and his best friend Doug, to the company’s collapse in the wake of the iPhone’s emergence (and more than one SEC violation on Jim’s part). Johnson’s regular cinematographer, Jared Raab, shoots the film more like D. A. Pennebaker and Chris Hegedus’ Clinton doc The War Room than The Social Network, BlackBerry’s inescapable predecessor, but Johnson’s aim is no less Icarus-like: To make a period piece about the founding of a transformational and dramatically tragic tech company with an inimitable, blackly comic performance at it center.—Dom SinacolaMovie theaters are officially back. As the cinematic offerings slowly return to the big screen compared to the streaming services and various digital rental retailers, we’re here to sort out what’s actually the best bang for your buck at the box office.